A Study On Reader's Dilemma Of Subjectivity Of Reception-aesthetics

Readers are of great importance for reception-aesthetics,for the birth,the development and even the decline of reception-aesthetics are all closely related to its readers.To study the reception-aesthetics from the perspective of subjectivity,first it is necessary to understand the reader's subjective image in the theories of Jauss and Iser,find out the subjective characteristics,analyze the advantages and disadvantages,and then draw reader's dilemma of subjectivity,that is,the readers' subjectivity of reception-aesthetics constantly expands in the theory,difficult to be effectively restricted and properly guided.However,the current reception-aesthetics cannot solve the two contradictions.Therefore,it is necessary to reflect on the construction of reader's subjectivity from the source through the three theoretical schools closely related to the reception-aesthetics-formalism,phenomenological aesthetics,and philosophy hermeneutics.Finally,based on the ontology of phenomenological aesthetic works,with the help of the literary differences provided by formalism and structuralism,through the historicity and dialectics of understanding given by philosophical hermeneutics,it determines the orientation of readers in the reception theory and identifies the intersubjectivity--the relationship between readers and works in literary exchanges,and then describes the prospect of real literary communication in reception-aesthetics.The introduction part briefly introduces the basic background of the study of Reception-Aesthetics,classifies the current readers of the theory of acceptance,summarizes deficiencies,proposes topics,and explains the value of research.The introduction briefly introduces the background of the research on reception-aesthetics,classifies the current domestic research on readers of reception theory,summarizes the shortcomings,puts forward the topic,and elaborates the value of the research.The first chapter firstly analyzes the connotation of the reader's dilemma of subjectivity from the inside of reception-aesthetics: The subjectivity caused by the abstractness and ideality of the subject is constantly expanding,which is hard to berestricted by the reception-aesthetics.Then,from the outside-the context of modernity under the influence of western thought of subjectivity,it analyzes the theoretical foundation of dilemma of subjectivity.The second chapter explores the causes of the dilemma of subjectivity from the ideology absorbed by reception-aesthetics.It is found that three kinds of ideologies are closely related to it: Russian formalism and Prague structuralism,phenomenological aesthetics represented by Ingarden,and Gadamer's philosophical hermeneutics.These three ideologies are either defective in the reader's subjectivity,or misunderstood or negated by reception-aesthetics.By re-showing the relationship between reception-aesthetics and the three,it finds out the causes of the dilemma of subjectivity and regains the legitimacy of the reader's subjectivity.The third chapter,by taking the subject perspective as the basic reference,tries to solve the reader's dilemma of subjectivity of the reception-aesthetics from the following three perspectives: the category of reader,the relationship between the reader and the work,and the intersubjective literary communication.Guided by philosophical hermeneutics,the communication prospect of reception-aesthetics is further described from problem perspective.The third chapter,by taking the subject perspective as the basic reference,tries to solve the reader's dilemma of subjectivity of the reception-aesthetics from the following three perspectives: the category of reader,the relationship between the reader and the work,and the intersubjective literary communication.Guided by philosophical hermeneutics,the communication prospect of reception-aesthetics is further described from problem perspective.