The Fusion Of Tradition And Modernity In Bartok String Quartet

Bela Bartok(1881-1945)is a representative of the Hungarian national music school in the 20th century,a famous composer,pianist and ethnomusicologist.Among the many musical genres he created,this article chose his six string quartets as the research object,because these six works run through all stages of the composer’s music creation,revealing the different characteristics of the composer in different stages and embodying the composer.The most experienced idea.Bartok inherited the creative traditions of Bach,Beethoven,Brahms,and Debussy.He was also influenced by Schoenberg,Stravinsky and others.His creations merged various schools of thought and artistic trends.The essence.His music shows the charm of Hungarian national music and the glory and suffering of the Hungarian people in the first half of the 20th century,reflecting the composer’s democratic thoughts and patriotic thoughts.These ensemble works have achieved a perfect combination of external forms and internal meanings.It has become the composer’s process of recording their own thoughts with obscure music language and profound ideological connotations.It is a "diary" carrier that expresses the inner world of the self.This article focuses on how to effectively analyze the six string quartets.First of all,it begins with the creative features of the traditional,national,and modern characteristics of Bartok’s chamber music,taking care of the creative background and style of the work.The transformation,the composer’s concept of creation,and the performance of the society at the time and the music review,combined with psychology,music sociology,music appreciation and other related disciplines to conduct musicology-comprehensive analysis,in order to re-examine Bartok strings The artistic value and influence of the quartet.This article mainly includes the following four chapters of Bartok’s six string quartet studies:The first chapter is divided into two parts.The first is a historical trace of the formation of the string quartet genre.The other is the description of Bartok’s chamber music creation in different periods.Each of his strings is involved.The quartet’s creative background and work style characteristics and achievements.The second chapter and the third chapter are from the ontology research of music to the study of music connotation.First of all,the second chapter mainly analyzes and demonstrates the combination of tradition,nationality and modernity in Bartok’s works from the perspective of music creation practice.The method of creation reflects his unique creation of "Bartok style" in his quartet.The third chapter is about the Bartok string quartet music connotation and social performance and commentary at the time,so that we can better understand the connotation of the work and the music environment in which the composer was at the time.The fourth chapter is mainly the summing-up function,mainly discussing the artistic value and historical influence of six string quartet works.The research results of this article are a necessary supplement to the research of Bartok’s works in China.I hope to analyze Bartok’s ideological connotation and composer’s creative intention from multiple angles and aspects,and learn how he handles the relationship between tradition and innovation.Chinese musicians can use Bartok’s successful experience to improve the artistic value of China’s music culture.