The Study Of Landscape Fu In The Northern Song Dynasty

Landscape as the main description of the object of Fu,called Landscape Fu.The Northern Song Dynasty landscape Fu refers to from the first year(960)to Jingkang two years(1127),to the natural landscape nature and scenery as the main aesthetic object,to different degrees to express the author's feelings,to elucidate the author of some kind of philosophy and "Fu" masterpiece works.This article is divided into three chapters on the Northern Song Dynasty landscape Fu's thought intension,the emotion direction and so on studies.The first chapter gives a general overview of the quantity,characteristics and the development of the landscape of the Northern Song Dynasty.To Ma Jigao Editor-in-Chief,"The Song Dynasty volume"in the past,referring to Zaozhuang,Liu Lin editor-in-chief,"The whole song",defined the Northern Song landscape Fu 68,and draw tables.According to the drawing table,the content of the Northern Song Dynasty is characterized by depicting the water and the lyrical two of the landscape.The overall characteristics of the landscape in the Northern Song Dynasty were roughly 3:1,and most of the authors created landscapes,accepting and accommodating them.Second,compared with the main characteristics of painting the water,more authors choose to use the characteristics of landscape lyric to create.Illustrate the use of landscape lyrical more.Third,the embodiment of a certain cluster tendency,the same topic landscape fu appeared more frequently.From the diachronic perspective,the landscape fu of the Northern Song Dynasty has a great development in four aspects,such as the system,content,style and technique of the former.System,the collection of the various bodies,the text Fu for Sheng;and will satire,philosophy into the landscape of Fu,style,from the beautiful Seiko to Dull Express,on the one hand,the continuation of Han Fu exaggeration method,on the one hand,to return to the "test of the local records" of the concept of truth,will exaggeration and levy the two combined.Chapter two describes the landscape attribute in the Northern Song Dynasty.The landscape of the Northern Song Dynasty through the spread of towering,rich mountains,like to write the various colors of the mountain and the geographical location of the tracing,it not only expresses the author's love for the natural landscapes,birds and beasts,but also praises the chengping and the world,and shows their recognition of the real function of the mountain and their patriotic feelings,the worries of the side and the determination of the enemy.The natural properties of water,such as movement,tendency,qingzhuo,supple and so on,are related to the function of embellish,humility,politics of the court,etc.,expressing the author's spiritual Feelings of virtue and ink.The third chapter is about the scenery description and the emotion direction in the Northern Song Dynasty.The scenery description and the emotional direction in the Northern Song Dynasty are the works that express the author's emotion through the description of the main landscape and its related scenery.From the content view,it can be divided into three categories.One is the words and the que,concept feelings,and the other is free seclusion,detached from the outside,and its third is Lingou,travel and sentimental.