On The Nationality Sought Of Early Chinese Dance Dramas (1939-1966)

Since “dance” entered the horizon of our nation.In the internal,the “dramatic story” factor of the music and dance culture of ancient China to be sprouted after thousands of years.In abroad,the ballet has been rising to the peak of art.The new beginning Chinese dance industry had to break ground to welcome the spring and the dance drama came to fruition.This thesis takes “early Chinese dance drama” as the object of study,uses the “what kind of development path in the early Chinese dance drama” as a problem-oriented,and examines the development of Chinese dance drama in the period of 1939-1966 with the “embody of the sought of nationality”,by focusing on “the historical facts”?“Value judgments” and so on as aspects to discussed.The first chapter focus on the analysis of the historical background of the core thesis of the full text,pointing out the historical turning point and the realistic basis for the Chinese dance drama's entry into the “nationality” proposition,and revolving around “the precursor of dance in the political and cultural fields” and “internal and external causes the choice of the drama” to launch the analysis.The second chapter analyzes the process of creation of dance drama and the works,and points out the process of creation of early Chinese dance dramas from “individual creative attempts” to “collective creative will”,and elaborates on the “dance vocabulary” and “dance drama factors” of early Chinese dance dramas.The “nationality” reflected in different appeal.The third chapter starts from the creative environment of the early Chinese dance dramas,and summarizes the historical causes of the early pursuit of nationality in Chinese dance dramas.It sums up the early integration of Chinese and Western dance artistic expression vocabulary and the traditional Chinese dance tradition in the creation of early Chinese dance dramas.The artistic achievements of the formation of narrative methods eventually led to " The Chinese dance drama in the direction of development is based on the establishment of national character as its artistic core value.It seeks to develop the process of nationality of Chinese dance drama between 1939 and 1966 from the perspective of the combination of ontology,history and aesthetics.The establishment of national character is discussed,to conclude from several regularities,to benefit the contemporary Chinese dance drama's creative practice and the theory construction.