Research On The Creation Of Long March Themed Films

With the development of politics,history and culture in our country,the film creation of the Long March theme is also constantly developing and changing.At the80 th anniversary of the victory of the Long March,Chairman Xi Jinping delivered an important speech,recalling the magnificent epic casted by the twenty five thousand miles Long March of the Red Army,and profoundly expounding the great historical and practical significance of the Long March.Since the founding of New China,the film works of the Long March have used different perspectives to examine the great feats of the Chinese revolution,and cast the Chinese Long March Spirit of the perseverance of the Red Army,and the revolutionary ideals that were greater than the heavens,and created the heroic image of “No fear of suffering,no fear of death”,which reflects the ideals and beliefs of the Chinese revolutionaries and their emotional world.Films on this subject have different characteristics in the pursuit of aesthetics and art.These films draw long marches,reveal the inevitable laws of revolutionary development,represent the military,and show characters.This study mainly focuses on four aspects of the Long March movie production.The first part is the evolution of the movie theme: In the development process of the film of the Long March theme,the evolution of the film theme is divided into three stages.The first stage was based on the theme of “revolution”,through the summary of the plots in several films such as “Cuigang Hongqi”,showing the revolutionary beliefs of the Chinese Red Army and praising the revolutionary spirit of the Red Army;the second stage was “hero growth”.With the theme of “growth” as the clue,several film protagonists grow from the revolutionary cognitive ignorance at the beginning to establishing the firm revolutionary belief.The third stage is based on the theme of “humanities” in the “revolution”.In the context of the article,the qualities of various characters were discussed,making the film more realistic and vivid,linking with the reality of life,and emphasizing human and human nature.The second part is the analysis of the character characteristics of the film: This part mainly describes how different films create different characters.With the development of the times,the image of the characters in the film has experiencedfrom the initial “conceptualization” to “personalization”and "lifestyle".The shaping of the characters in the film is accompanied by the development of the times,and it is also the need for the development of the film and television works themselves.The third part is the analysis of movie narrative mode: This part introduces the narrative mode of film in the Long March theme from four aspects.The first is the“political poetics” model,which praises the revolutionary spirit,praises the revolutionary heroes,displays the revolutionary martyrs' faith in the revolution,and uses these factors to produce the film;the second is the narrative of “sadness” and“generic feeling”.The model,the tragic "sadness" narrative model mainly arose in1979,and the "generic feeling" narrative model emerged in 1989 in order to add humanity to the film;next was "personalized" narrative model based on personality.The refinement of the details,highlight the theme of individuals;the last is the "original ecology" narrative mode,the film gradually restored to the true,return to the historical reality.The fourth part mainly analyzes artistic style of the films: the theme of the Long March determines that the films of this theme are mainly a documentary style,which is involved in the style of revolutionary realism and revolutionary romanticism.The revolutionary realism style is chiefly from the perspective of history,showing the difficulties and obstacles encountered during the Long March and the humanistic feelings displayed.The revolutionary romanticism in this article mainly refers to the optimism revolutionary spirit and emotional impact,which would create the resonance of audience.