Research On Female Narration Of Long March TV Series In The New Century

As one of the main themes of TV dramas,the Long March drama plays a very important role in the creation of Chinese TV dramas.Throughout this kind of TV series,both male and female creators will consciously or unconsciously begin to pay attention to the gender meaning of narrative discourse,female image processing is more sophisticated,and female narrative is gradually equal to male narrative.This paper takes the TV series of the Long March in the new century as the research object,and studies from the perspective of female narration.Firstly,it starts with the narrative expression of female narration in the research,and studies the narrators of female narration(explicit female narrators,that is,the expression of female self-expression,implicit female narrators,That is,men’s evaluation of women),narrative perspective(omniscient perspective and external perspective),narrative structure(single-line structure and multiple-line structure).Then it is about the presentation of its narrative mode.It studies the narrative mode of "tragic" and "panemotive",the narrative mode of "personalized" and "feminine",and the narrative mode of "original ecology" and "life".Then it is about the writing of its narrative style,and studies its narrative style of revolutionary realism and revolutionary romanticism.It is about the exploration of its narrative value,exploring the significance of the women’s liberation movement in its narrative and the enlightenment of women’s growth on the Long March.Through the comprehensive interpretation and in-depth exploration of this genre of female narrative,it is hoped that to some extent,it can make up for the academic circle’s lack of research on female narrative of the Long March TV series in the new century,and make a modest contribution to the improvement of the thickness and breadth of the research on female narrative of this genre of TV series.