A Preliminary Study Of Chen Xiaoyong's Sound Ideas From The Phenomenon Of Overtones

Chen Xiaoyong is one of the important Chinese composers in the contemporary music scene.He is very active in the modern music scene in Europe.His music creation has always been concerned by the modern musical world of the East and the West.Chen Xiaoyong's music creation explores the possibilities of the music development process in a concise way,starting from the sound itself.He always strives to show the "complete" sound process.Through careful observation of sounds,the composer explores the detailed sound trends and movements in the development of music.By capturing and extending the vibrations,the composer associates the various elements within the music or within the music in a metaphorical way.This article takes Chen Xiaoyong's two works “Diary I” and “Invisible Landscapes” as the starting point for research.The research content includes the construction,development methods and sound structure of the music materials of these two works.It also attempts to explore the rhythm development techniques used in his creation as well as the arrangement of pitches in order to analyze the audio concept of Chen Xiaoyong embodied in this work.