| This article takes Yun Shouping's album of "mountains-and-waters painting" made in 1684 collected by the Shanghai Museum as the main object of analysis,and uses other works of Yun as additional information,to analyze and compare the issue of "Yi" in the style of Yun's landscape painting and its poetic expression.The first chapter firstly introduced the research object of this article,and explained the reasons for choosing it.Then,in the second and third subsections,the staging of Yun Shouping's landscape style and "Yi",and the development of the issue was combed,leading to the core issue "Yi" discussed in this paper,as well as the discussion of Yun Shouping's master-apprentice system and the issue of "Imitation".The second chapter discusses the theme and content of the albums of landscape and the analysis of the imitation objects,and discusses Yun Shouping's teacher inheritance and "Imitation",and explores the source of the style of Yun's landscape painting.At the same time,the author found out another issue discussed in this paper,that is the poetic expression in Yun Shouping's landscape painting.The third chapter tries to explain the problem "Yi" of Yun Shouping's landscape painting from two aspects:the relationship of form and relationship between poetry and painting.In the first two sections,the author compares and analyzes the chirographic and style feature of Yun Shouping's landscape paintings to discuss "Yi" in his paintings.In the third part,taking the poems and text in paintings as the key point,through the analysis of the expression of poetic and artistic conception,the issue of "Yi" in Yun's landscape paintings was discussed.The fourth chapter analyzes and interprets the concepts of "naturalness and artistic calligraphy feature" and "poetical form" in Yun Shouping's landscape painting,as well as the concepts of "Yi Ge","Jing Qi" and "Jian Gui",which he advocated,and further discusses the aesthetic taste of Yun's landscape painting from the aspect of quality. |
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