Research On Han Jiang’s Novels From The Perspective Of Ecofeminist Literary Criticism

Han Jiang is a famous writer,novelist,and critic in South Korea.Her novel"vegetarian" won the international booker prize in 2016,caused the widespread attention at home and abroad.Her books’ describe pain and darkness in human nature,which is committed to build a world confusing beauty and violent.In finally,they can enter a "flower and zen" world.This paper based on ten representative works,which will to be analyzed with the ecological feminist point of view,focus on the ability of Han Jiang to explore the complexity of human mentality and the depth of human nature.It makes Han Jiang’s works show the height of the feminist and ecological and try to find some transcendent spirit of export for self-salvation.This thesis consists of three parts:introduction,text and conclusion.The introduction part introduces the life of Han Jiang,the research about Han Jiang at home and abroad,and the connotation of eco-feminist literary criticism.The text is divided into three chapters.Firstly,Han Jiang intends to construct a series of" plant wifet".Vegetarian shows their profound sympathy for non-human animals.Those women who choose to be naked and become the "madness" women,which suffere from the oppression of patriarchy society.The third chapter is mainly about the city life of those who live in the"underground" humble urban.In such a mixed world with grade,identity,gender across the moral limits of complex social structure of urban space,men and women are essentially victims.However,they are still craving for "Aoyama" and "Orchard" to seek a poetic lifestyle.In the fourth chapter,mainly describes the transcendence feminist view and ecological point of view of Han Jiang’s novels.Women living in the oppression of men and industry begin to find spiritual resources from Buddhism and nature.The soft sexes reconciliation make nature bursts with vigor.The conclusion part summarizes the full text and affirms that Han Jiang’s awareness of eco-feminism does not limit the view of writing to the antagonistic relationship between women/nature and men/culture.He also detached the thinking logic of binary opposition while criticizing the patriarchal system.In the end,it presents us with an ecological world full of harmony and Zen.