Study On Royal Calligraphy In Qing Dynasty

The whole paper,based on acceptance of Han culture by Qing royalty,is divided into such four sections to investigate royal calligraphy of Qing dynasty.Manchu in Qing dynasty has experienced a process of acceptance of Han core values from passively to actively.First of all,chapter one focuses on political and cultural background of calligraphic art of Qing dynasty.Based on history,this chapter investigates a process of acceptance of Han culture from political acceptance to assimilation,which refers to a process from passive learning of Han culture to active selection of calligraphic art.Secondly,chapter two has mainly investigated calligraphic education of Qing royalty which emphasized common phenomena of Qing royalty into three portions.The first section reviewed establishment of educational system in Qing dynasty,including educational content.Besides,the second section focuses on calligraphic masters,which aims to investigate the calligraphic qualification aesthetics of masters.At last,the final part aims to figure out educational approach of calligraphic education among Qing royalty,such as calligraphic imitation.In addition,the selection of calligraphic imitation by Qing royalty has also been deeply investigated.But with further investigation of these calligraphic phenomena,series of political factors behind these phenomena is of vital importance to be paid attention.Besides,in chapter three,this paper selected some typical calligraphers in Qing dynasty and commented their calligraphic style and features.At last,chapter four has explained the term of Zheng,He and Ya,deeply investigated their aesthetic orientation and dialectically analyzed the feature of Qing calligraphy especially the feature of fairness,average,harmony,stereotype,elegance and weakness which has been shown during the whole dynasty.