The Research About Manchu Music Structure And Qupai In Qing Dynasty

Manchu is an ancient nation in China's 55 Ethnic Minorities having more than 4000 years history and now having a population of nearly 10 million, ranking the country third in the nation. Qingbing Shunzhi in the first year (1644) entry Ding Ding Zhongyuan, the Manchu music into the second phase. As the impact of Han Chinese music, Manchu music from the more than 300 years since Qing Dynasty to achieve a relatively high degree of integration and assimilation, and retain their own characteristics of music less. To the Liao, Jin(907—1234) and Yuan (1280—1368) and Qing( 1644-1911) and the establishment of political power elite minority, the integration of music between Han Chinese music and Ethnic Minorities music presented many times during the peak period.Manchu as a great nation, first of all is that it can continue to absorb and apply the advanced experience of the Han nationalit from the Chinese, Han Chinese to Han music to enrich their own national culture. This is a small population of Manchu rule to a large population of up to 260 years in China as long as the important reasons, but also Manchu music can be like ocean surrounded by Han Chinese music culture to the development of a communication and can not be ignored Factors. Manchu music has been 300 years since Qing Dynasty, because of the impact of music Han, Manchu music reached a relatively high integration and assimilation, and a Manchu music features to retain relatively few cases. Manchu people entry, a music institution "Music" and draw up a "Qinglong Dance, "Shide Dance" and "Desheng Dance." Rule of the Qing Dynasty more than 200 years, the Third Man-Han culture of integration so that the unprecedented prosperity of Chinese culture show. During this period, following the Nuzhen music Manchuria after the music has to develop.This music of Manchuria Beyond Time and Space (historical, geographical, social development phase) of cross-cultural, can not fully use the classification logic that is scheduled to analyze it, and it should be emphasized that a comprehensive, overall-style research. Even in some specific research projects, should also be the case. You can not, as pianist with music at the Sydney Opera House for Pavarotti mixer, in addition to strings of vibration can be outside the arena turned a deaf ear to all of the other. In order to travel home to the French like to visit Notre Dame de Paris, their exposure to the mysterious religious atmosphere, which has a unique architectural style, the legendary historical masterpiece, to do a comprehensive study of cultural issues from the overall Perspective, to find their music and illustrates the unique aesthetic taste and artistic charm.Manchu music obviously is not independent of the lifestyle of a " art" style, it is life itself. People do not expect them to live their own system of values for the analysis and evaluation of references to it can work, like the Europeans can not use their own knife and fork to eat the habit of trying to explain, or correction of China and the Japanese custom of using chopsticks to eat the same . Although the knife and fork and chopsticks are the same function of the tableware, but each has different cultural connotations. In any case, music is indispensable to human beings. Therefore, the Manchu music on the whole nation's culture and music of research and development are essential to research.Of a nation's musical culture to the overall comprehensive study of its music can not only understand the historical development of various threads and the profile of traditional music, but also from the music of the status quo in the peep are reflected in its future trend.Manchu music through the development of a complex and unique history. For future generations on the development of modern music has a role can not be ignored. Many of the modern pop music elements have the shadow of the Manchu Qing Dynasty. For music-loving music and engaged in the work of scholars, the Manchurian Qing Dynasty opened the mysterious veil of music, will greatly promote the development of music.In the trend of integration of ethnic music, Manchu music itself has continued to develop and grow. Manchurian Qing Dynasty music have gradually shown their unique style of music, music for the later development of both the Han ethnic music or the music of development have a disproportionate impact.We Manchuria by the music's history (the first chapter was introduced) to understand the long history of the Manchu music, the song Species, the song Species, the kind of music (Chapter 2) study, understand Manchu folk origin, classification, the children of the Eight Banners Music, to understand music for the whole of China, the development of society as a whole.The author-loving music from a young age, had studied piano, accordion, clarinet and other instruments, after engaging in music education for many years, China has always preferred the music, Chinese music is broad and profound culture, is rich profound implication. In this paper, many people do not quite understand from the Manchu about music, the music of the future, China has a great significance. Now study this music very few people, I give lectures to the students, students in particular to China's music is folk music Xiangzhi little of this situation now for the development of Chinese music is very unfavorable situation, ancient Chinese music If there is no memory, how we will continue to carry forward China's musical culture ? How will China's musical culture to the world? Therefore, this paper from the Qing Dynasty music start of the study, found that mining the ancient music culture, and hope for the future of Chinese music research help.