The Semantic Creation Of The Traditional Dance Props In Hubei

the object of this paper is mainly the props in the traditional dance of Hubei,then the main types and cultural functions are analyzed,and the body language and the symbolic language of props are analyzed by linguistic research methods.By analyzing the semantics of the props used in traditional dance in Hubei,this paper explores the relationship between semantic and cultural development and regional habits in Hubei,and emphasizes that the semantics of props are related to the formation and development of the dance.But in the creation of dance,it can be more appropriate to expand its semantics,but it can not be divorced from the original meaning.On the one hand,dance creation needs to maintain the semantic noumenon of the traditional dance props;on the other hand,the necessary dance creation can be carried out on the basis of the dance content.This paper is divided into four parts.The first part mainly analyzes the surface semantics of traditional dance props in Hubei.Through popularization investigation,it analyzes the functions of props,and makes a deep analysis with linguistics.The second part mainly in the semantic core,Hubei traditional dance props were divided into the beast props,props and flower class fete props,and carries on the thorough analysis with typical dance.The third part and the fourth part mainly analyze the semantic expansion of traditional dance props from the perspective of dance creation.The former is the theoretical basis,the latter takes the self made dance as an example,using the theory of this article to guide practice.