Research On Wang Anyi's Novel Idea And Creative Practice

Wang Anyi is an outstanding woman writer in contemporary literature,but also a writer with a certain literary concept and aesthetic pursuit.This article discusses the Wang Anyi's novel concepts and creative practices.On the one hand,Wang Anyi's novel theory is combed and interpreted,and the theoretical significance is explored and discussed.On the other hand,the thesie aims to study her creative practice of the novel,analyzes some of her representative works and reveals the inherent meaning and aesthetic direction of them with the combination of the author's novel method,which attempts to interpret the iner-relationship between her literary concerp and creative practice.thus deepening the understanding of the characteristics of her creation and the significance of her works.The main part of the paper is to be divided into four parts for inspection and discussion.Chapter One It mainly discusses Wang Anyi's pursuit of the idea that the value of novel creation lies in the "construction of the spiritual world" and its creative practice.Wang Anyi defines the novel as "the world of the soul" and believes that "a good novel is a good myth." The novel is based on the material of real life to construct a "spiritual world" that transcends reality.She further believes that the creators have pushed the plot of the novel from the general state to the more advanced state,from a simple state to a complex state,from the "this bank" to the "other bank",and this help extradite it with strong things,the so-called powerful thing refers to the motives of the plot.Wang Anyi's concept of this novel is reflected in her creative practice,which is to build a self-sufficient spiritual world outside reality.Chapter Two This article mainly discusses Wang Anyi's "Four Noes" conception in narrative narration and the pursuit of creative practice.Wang Anyi believes that the form of the novel is a story.Therefore,she particularly emphasizes the ingenious choice of narrative style.What kind of narrative? The traditional narrative concept emphasizes the three elements of the novel,including characters,plot,and environment.Excellent novels should have a complete story structure and mould typical characters in a typical environment through a rich and tortuous storyline.Wang Anyi dared to break the traditional shackles and put forward the shocking "four noes" proposition,namely: First,no special circumstances' special characters;Second,not too much material;Third,do not stylize the language;Fourth,do not be unique.These four “noes” declare the determination of the writer to separate from the traditional narrative.It is precisely these four “noes” that have enabled Wang Anyi tobecome a novelist with a high degree of expressiveness and abstract ability.On the one hand,she actively practices her own concept of fiction in the process of telling her story.On the other hand,she consciously or unconsciously deviated from the concept of narrative,This is a phenomenom that seems paradoxical call for further analysis.Chapter Three It mainly discusses Wang Anyi's theoretical conception of fictional art and her pursuit of creative practice.As for the relationship between the authenticity and fiction of fiction writing,Wang'an yi believes that the essence of fiction is fictional.However,the fiction of the story must be based on real experience,focusing on the logical impetus and artistic creativity of the novel,so that it can not only afford a rational test,but also has a strong artistic appeal.Documentary and fiction are one of the important ways which Wang Anyi created the novel art world.Wang Anyi's novel creation process is actually a process in which she continues to think and explore novels.With the maturity of Wang'an yi's novel creation,she gradually formed a unique view on the narrative of the novel,making it a more free and conscious creative activity.