A Comparative Research Of Traditional Handicraft Documentaries Between China And Japan

The image of Intangible culture is the subject of anthropology,communication and other subjects in recent years,this kind of intuitive form can be the most complete to retain the vanishing "cultural memory",through the new interpretation of the documentary,let them in the new era of the background glow new.Since the beginning of the 2008,the Chinese handicraft documentary has gone through a short period of nine years,and the cross-cultural communication environment has brought challenges to the cultural heritage.As a neighbour of Close,Japan's documentary is widely acclaimed.In view of the cultural similarity between China and Japan,the comparison between the two is not only the reference value of the industry,but also the theoretical significance of the academic circle,so the paper chooses 10 more Chinese-Japanese handicraft documentary as a sample.The logic of this paper is as follows:first,the present situation of the two countries' handicraft documentary is combed;secondly,from the intermal structure of the documentary,the creation concept and the use of the trial language are compared,aad the communication and policy of the handicraft documentaries of the two countries are compared from the extermal environment of the documentary.After that,the differences between the two countries in the historical traceability of the documentary,the geography and cultural values of the two countries are analyzed,and the reasons for the difference are obtained.Finally,the advantages of the two countries' documentary documentary are complemented.To comb the history of traditional handicraft documentaries in China and Japan,it is not difficult to find that the development of such documentaries in the two countries is about 10 years.Japan's mature radio and television system has given a good market environment for handicraft documentaries.From the content level of the Sino-Japanese handicraft documentary comparison,found that the two countries in the use of audio-visual language is very different:China prefers freehand lenses and poetic commentary,Japan focuses on the production process of filming,like the same sound.The technical level of comparison can be found in the playback strategy and the media environment,the Japanese market is more mature than the Chinese market,the biggest reason for the differences between the two countries is culture:compared to the Chinese philosophy spirit of "Heaven and Man" wisdom speculation,Japanese culture more praetical type,its documentary content focus on the display of skills visible.The logic of this paper is as follows:first,the present situation of the two countries' handicraft documentary is combed;secondly,from the intermal structure of the documentary,the creation concept and the use of the trial language are compared,and the communication and policy of the handicraft documentaries of the two countries are compared from the external environment of the documentary.After that,the differences between the two countries in the historical traceability of the documentary,the geography and cultural values of the two countries are analyzed,and the reasons for the difference axe obtained.Finally,the advantages of the two countries' documentary documentary are complemented.Multi-level contrast and analogy,the history of Japanese handicraft documentary development and its advantages,for the development of Chinese handicraft documentaries has a more realistic reference significance and enlightenment role:Narrative mode to the development of storytelling,production methods to the development of linear,play mode to the intermationalization of development.