The Study On Female Theme Fu Of Tang Dynasty

Female literature always occupies an important position in the history of Chinese literature.Academic circles are also very concerned about women's literature,but compared to women's poetry,novels and other styles,the attention paid to female subject matter is not enough.From a vertical perspective,there is a lack of comprehensive research on the themes of women in the Tang Dynasties and after the Tang Dynasty.Based on this,this thesis selects the female themes of the Tang Dynasty as research objects and probes into them more fully.In addition to the introduction and the remaining,the thesis consists of three chapters.Tthe introduction mainly explains the research status and significance of women's fu in the Tang Dynasty.At the same time,it defines the research object of this article and gives a brief introduction to the research methods used in this article.The first chapter divides the female theme of the Tang Dynasty into four categories:Goddess,Empress,Wives and Gypsies.On the basis of discussing the development and the main features of various kinds of Fu respectively,Highlighting the new changes in inheriting the tradition.The first section emphasizes the empowerment of the goddess in the Tang Dynasty and points out that the goddess detached from the symbolic meaning of "Sexual Seduction"and restores its protagonist position in the Fu.The second section discusses the creative situation of expressing the sorrow and narration love;The third section shows the life and emotion of ordinary women;the fourth section highlights the break through of fragmentation and specialization of Gypsies,as well as the creative features embodied.The second chapter focusing on the two major characteristics of women's themes in the Tang Dynasty such as "emphasis on emotion" and"advocating practical".The first section mainly discusses the characteristics of "emphasis on emotion ",divides and analyzes the emotional expressions of different types,including the admiration for the beautiful women,the pity for the sad women,the mourning for the deceased wife and annoying ugly woman.In the second section,the dissertation tries to grasp the tendency of "advocating practical" by the theme of women in the Tang Dynasty,and elaborates the concrete manifestation of "advocating practical" from three aspects:praise flourishing world,satirical remonstrance king,and set typical.The third chapter is devoted to digging the narrative factor in female fu of Tang Dynasty.The first section is the preface narration.The preface narration of female theme in the Tang Dynasty is dominated by documentary narration.The second section is an imaginative narration.Based on the expansion of the imagination of the writer,the second section expounds the narrative of female theme fu,briefly discusses the narrative tendency of the works in material selection and focuses on the author's narrative features in the"event-imagination-perfunctory" creative mode.The last part is epilogue.On the one hand,it expounds the aesthetic tendencies of women as the carrier of social beauty at the time;on the other hand,it analyze the male consciousness implied behind the praise and praise of female works.