The Research On Aesthetic Sentiment Of Recluse's Flower-and-brid Painting In Song-Yuan Dynasty

Recluse,a special group in the scholar-bureaucrat stratum,whose unique identity constitutes a recluse culture has an important influence on social development.The seclusion culture of Song and Yuan Dynasties,as the social retreat of the whole class,represents an ideal and pastoral life expectancy.This kind of seclusion culture,transformed to the Song and Yuan Dynasties Hermit flower and bird painting,caused it to present the very different esthetic appeal.This article wanted to use literature,image style,comparative analysis and other research methods.This paper makes an analogy analysis of the painting features of the hermit flower and bird paintings in Song and Yuan.Dynasties,finds out the aesthetic similarities and differences between the literati paintings and the courtyard paintings,and probes into the aesthetic appeal of the hermit flower and bird paintings in Song and Yuan DynastiesThe first chapter mainly introduces the background of this paper,the status of research and the definition of research object.The concept of the hermit,whose meaning accompanies the development of society,has changed many times.Therefore,it is necessary to determine the study group with the song and Yuan Hermit Flower and bird,so as to determine the scope of research for the later study of the aesthetic taste of the Song and Yuan Hermit flowers and birds painting.The second chapter,taking the history of the Song and Yuan Dynasties as a reference,studies the historical and cultural background of the Song and Yuan Dynasties.In the third chapter,combining the existing image data and literature of the Hermit flower and bird paintings in the Song and Yuan Dynasties,this paper sums up the characteristics of the painting features by analogy with the body painting and literati painting in the Song and Yuan Dynasties.The fourth chapter summarizes the aesthetic appeal of the hermit flower and bird painting in the Song and Yuan Dynasties.On the one hand,with the combination of image and style,to study the aesthetic taste in the face of its painting.On the other hand,it is based on the combination of inscription and literature to study the aesthetic taste in the artistic thought of his painting creator.Combine the two,and accurately grasp the feelings and interests embodied therein.The fifth chapter explores the aesthetic influence of the hermit flower and bird painting in the Song and Yuan Dynasties.As an important part of literati painting,the unique aesthetic interest of the hermit flower and bird painting has an important influence on the development of the literati flower and bird painting in later generations.Through the above analysis and research,this article explores:The aesthetic appeal of the song-Yuan Hermit's flower and bird painting is influenced by many factors,such as the characteristics of song and Yuan aesthetics,the characteristics of the hermit painters and the development of flower and bird painting.The cultivation of literati literature and art in Song and Yuan Dynasties makes it pay more attention to the expression of self-consciousness,pursues artistic conception and taste,and makes aesthetics advocating elegant and ethereal.The obscure reality of hermits,influenced by Taoism and Zen,made hermits turn to the comfort and relief of inner spirit.The ink-painting courtyard formed by the Xu Xi of the China Five Dynasties who appeared afterwards and the literati paintings of the bamboo faction in Huzhou,as well as the paintings of Zen monks with Zen painting,have influenced each other.This made the Song and Yuan Dynasties hermit flowers and birds painting displayed in a fresh and elegant status,and in a taste of the aesthetic originality.