The Role Shaping Of Zhanghaotian In The Musical "Sichuan Clique"

The musical"Sichuan Clique" in Chengdu,Sichuan Province in 2015 was adapted from the novel "Sichuan Clique" by Mianyang writer Fengxiaojuan,Sichuan Province,published in 2013.At the same time,it is also a successful production of art connotation and marketing in Sichuan province.Since I worked as an intern in the Sichuan province song and Dance theatre during my master's degree study,I was privileged to participate in the musical drama rehearsal of"SiChuan Clique" in 2017 and play the role of Zhanghaotian,the viewpoint of selecting the prize paper is put on the molding of Zhanghaotian's role and some parts of his singing and music works.After analyzing it,Zhanghaotian,as a complete supporting role in the original novel,has been completely remade by director Wangge in the musical drama and the conflict between the characters,so that Zhanghaotian in the play not only in the image of the more profound portrayal,but also in the role of the whole play to take control of the global transition key nodes.In addition,the composition style of Zhanghaotian's song in "Sichuan Clique,has changed with the dramatic conflict of characters in the play,so that the character of the character of the song and the development of the characters in the play,this representation and style in China's past musical stage is relatively rare,but also a very modem film.This article will consist of four chapters focusing on the 2017 version.Chapter ? is the introduction.The second chapter is the synopsis and background of the musical "I am Sichuan Army" The first section is mainly about the background of the story and the main idea of the story.The second section is about the analysis and introduction of the 2017 version of "Sichuan Clique" and the comparison with the 2015 musical.The third chapter is the analysis of Zhanghaotian's role in the play,which is divided into two sections.The first section is Zhanghaotian's role image analysis,and the second section is Zhanghaotian's structural role and analysis of the plot transition.The fourth chapter is my model of Zhanghaotian.The conclusion of this paper is as follows:Zhanghaotian,who represents the military figures of the Sichuan army,is not only the development of the drama,but also the ideal symbol of the musical works of the main melody.Therefore,it can have unique personality characteristics in Tu Xuyen and even in the National musicals.