Analysis On The Music Noumenon And Dulcimer Performance Of Duet The Shaken Shadow

This article will analyze the musical ontology and research techniques of the dulcimer and cello duet created by Professor Yangqing in August 2006,"The Shaken Shadow-Made for the dulcimer and the cello".The aim is to promote the development of dulcimer playing art and the emergence of more outstanding works of dulcimer.The object studied by the dissertation,"The Shaken Shadow," reflects the swaying of the trees and bamboo shadows of the natural landscape,reflecting the swaying of the human heart.At the same time,this work through the collision of national musical instruments and Western musical instruments,playing instruments and pulling stringed instruments.The collision of instruments,Reflects a new sound effect.This thesis consists of four chapters.The first chapter is the introduction of the entire work of "The Shaken Shadow" and is divided into three sections: the composer's introduction,the work's introduction,and the aesthetic thoughts of the work.Through the deep interpretation of the brief introduction of the work and the composer's conversation,I analyzed the work from the perspective of the dialectical unity of materialism and idealism,and reflected in the third section of the works aesthetic thought.The second chapter is the analysis of the content of the music ontology of the works.The first section is an analysis of the structure of the work "The Shaken Shadow".The work of this part is a complex three-structure song style,and the division of paragraphs is very obvious.However,this work is worth examining on the rhythm characteristics,so it is a separate section.In the second section of this chapter,the rhythm characteristics of this work are analyzed.The third chapter is the analysis of the performance of the works.In the first section of dulcimer performance technique analysis,the performance techniques of overtones,consecutive hand sounds,and two-tone sounds in this song are analyzed,and the problems that are prone to occur and their practice methods are described in detail.The second section describes the role of playing skills in the creation of artistic conception of the work.This part of the work is a duet of dulcimer and cello.The collision of national instrumental music and Western instrumental music,and the collision of two instrumental music with different performance characteristics are all worth exploring.Therefore,in the third subsection of this chapter,we focus on the analysis of the fusion of two kinds of instrumental music,the body language dialogue played by the performer,and the unity of feelings.The fourth chapter refers to the importance of cultural self-confidence in the inheritance of music,and I have put forward some thoughts on the meaning and value,development and dissemination of this part of the work.