On The Singing Of Alfred In Verdi's Opera "La Traviata"

During the three years of graduate study,in addition to studying and singing Italian and German art songs,Mozart,Puccini,Donicetti,Verdi and many other composers,such as opera arias,studied and sang.In the singing process of arias,it was found that the composers' works had different degrees of difficulty and difficulties in different directions.It was precisely because of these difficulties that the works had strong vitality and full artistic appeal.Therefore,it has aroused my strong research interest.The operas of composers after the 19 th century often challenge the tenor,and at the same time bring opportunities to accurately interpret the emotions of the characters and satisfy the audience's extremely high hearing needs.So that the tenor of the author must focus on the works of this period,here the author will focus on the Verdi opera“La traviata” in the arias,put forward some research suggestions for your reference.Through the author's extensive literature review,the study of Verdi's music creation,as well as the study of the video and recording of the opera “La traviata”at home and abroad,it is found that most of the research articles are about Verdi's musical writing style and opera singing.There is less research on singing and singing methods.In this article,the author will elaborate the difficulties and key points of Alfred aria singing,and take “De'miei ollenti spiriti ”as an example to analyze how to grasp Verdi's works accurately.Put forward its art law and inevitable request.In major international opera competitions,in tenors after the age of 30 or even after 40,when they sing Verdi's aria,they only have to deal with the high notes and change the sopranos to have sufficient breath control.Finally,grasp the role of a good character,will win the top.