A Reproduction Study Of Ancient Literature Classics From The Perspective Of Enlightenment

The theme of this dissertation,as shown in this subject,is intended to illustrate the classic reproduction of the ancient classic.As the object of study,it is the adaptation of the drama of the Peacock Flies Southeast in the first half of the twentieth Century.As a cultural phenomenon driven by multiple forces,any problem of reproduction which is related to literary classics is essentially unable to bypass the question of the interaction generation of content entity and times correlation domain.The art of ancient poetry,the Peacock Flies Southeast,is able to attract a number of new literary writers in the first half of the twentieth Century,and becomes a model of mass under the light of modern consciousness.It is clear that the original text itself is inseparable from the gap of meaning and art,the author’s creation and recreation mentality.It can not be separated from the other readers’ consciousness,especially the text between the classical narrative and literary style from the foreign inter.As a research perspective,this dissertation is mainly based on literary phenomenon of the dramatic adaptation of the classical literary classic The Peacock Flies Southeast in the first half of the twentieth Century,that is,the five acts drama of The Peacock Flies Southeast,which was compiled by the four grade students of the national Ministry of Higher Normal School of Beijing,and the unfinished four acts drama The Peacock Flies Southeast(Only has the first act completed).The three acts drama,Chime Stone and Bulrush,adapted from the original poem by Yang Yinshen,the one-act drama Lan Zhi and Zhong Qing adapted from the original poem by Xiong Foxi,the three acts,The Peacock Flies Southeast,adapted by Yuan Changying,the five Peking Opera,The Peacock flies southeast,adapted by Chen Moxiang,and the edition of Ji Jian,adapted from the original poem.It is reinterpreted from the cultural and spiritual aspects of the inheritance and innovation of the Chinese modern literary tradition in the ancient and modern times,and reinterprets these modern dramatic adaptations.The drama of The Peacock Flies Southeast,in order to analyze the significance and limitations of the reproduction of Chinese classical literature under the enlightenment,is expected to bring a reference value for the academic exploration of the ancient literary classic reproduction phenomenon.This dissertation is divided into three parts,the introduction,the main body and theconclusion.The introduction mainly makes a summary of the reproduction and popularization of the reproduction and popularization of The Peacock Flies Southeast,in the first half of the twentieth Century.It defines the object and consciousness of this dissertation,determines the research method,combs the research object,the research purpose and the significance of the research,and establishes the necessity and innovation of the dissertation.The body of this dissertation is divided into three chapters: the first chapter is mainly to explore the source of culture and the evolution about the ancient poetry of The Peacock Flies Southeast.The first section details the three aspects of the ancient literary classics: the cultural symbolic resources of The Peacock Flies Southeast,the functional exploration of the modern creation mechanism and the influence of the cultural context of the times in the first half of twentieth century.The second section focuses on the diachronic arrangement of the transition of The Peacock Flies Southeast in the first half of the twentieth Century from poetry to a variety of literary and artistic styles.The second chapter is to reinterpret the Enlightenment of the adaptation of peacock Flies Southeast in the first half of the twentieth Century to the enlightenment practice of drama literature.It concentrates on the dramatic adaptation of the drama adaptation,that is,the five acts drama of The Peacock Flies Southeast,which was compiled by the four grade students of the national Ministry of Higher Normal School of Beijing;and the unfinished four acts drama The Peacock Flies Southeast(Only has the first act completed);The three acts drama,Chime stone and bulrush,adapted from the original poem by Yang Yinshen;the one-act drama Lan Zhi and Zhong Qing adapted from the original poem by Xiong Foxi;the three acts,The Peacock Flies Southeast,adapted by Yuan Changying;the five Peking Opera,The Peacock flies southeast,adapted by Chen Moxiang.This three sections,including the creative trend of drama adaptation,the art of narrative drama and the theme of reproduction,are elaborated.The third chapter is mainly through the integration of the classic reproduction of The Peacock Flies Southeast in the first half of the twentieth Century,in order to reveal the historical and cultural significance of the change of the text and the loss of the stagnation.It is divided into two sections of meaning and limitation.The first section aims to explain the historical contribution of the reproduction of the ancient literary classics,The Peacock Flies Southeast in the first half of the twentieth Century,and to analyze the breakthroughs in the form of literature and the construction of the artistic ideas in two aspects.The second section aims at The Peacock Flies Southeast in the first half of twentieth Century,From the two aspects of the writer’s identity and the limitations of the modern literary expression,thedissertation makes a summary of the shortcomings of the times and the weak points of literature and art.Finally,the remaining part mainly points out the shortcomings and regrets of this dissertation,as well as the extension and future of academic research.