The Extraction And Re-creation Of Elements In Dunhuang Frescoes Is An Example Of The Fei Tian In The Tang Dynasty

In Chinese mural art,Dunhuang frescoes are a very important part.The frescoes of the Tang Dynasty represented the highest level of Chinese mural art,and also the peak period of Dunhuang cultural development.Dunhuang culture contains many types,such as Buddhist culture,mural art,traditional customs,etc.The “Fei Tian” in many subjects of mural art is an important part of the Dunhuang murals,and it has a strong decorative meaning due to its elegant and dynamic shape.The shape of “Fei Tian” has a strong freehand nature,which not only reflects the imagery concept of traditional Chinese painting that is not limited by objective objects,but also embodies the “Oneness of Heaven and Man” aesthetic concept.Based on this,this article selects the image styling features of the “Fei Tian” of the Tang Dynasty as an element of extraction and re-creation.This article consists of five chapters.The first chapter discusses the background of Dunhuang fresco research,the domestic and foreign research trends,the general situation and purpose of topic selection,and the methods of Dunhuang fresco research;The second chapter discusses Fei Tian's artistic image,and discusses it from several aspects,such as the outline of Feitian,the stage of Feitian's style evolution,and the segmentation and artistic characteristics of Feitian in each period of the Tang Dynasty;The third chapter combines the specific forms of Fei Tian in the Dunhuang murals to elaborate the specific content of the topics,from the determination of early stage composition ideas to the choice of materials,from the material finalization to the complete presentation of the composition to illustrate the problems encountered in the creation and The solution,as well as the creation of materials,forms,expressions,etc.Chapter 4 discusses the implications of the creation of the Dunhuang frescoes for the creation of Dunhuang frescoes.It is discussed in three aspects: the “operational position”,the “Bonework” and the “Transferring” in the “Six Laws” of Xie He;The fifth chapter summarizes the issues left over from the work,as well as the experience in drawing,and summarizes some aspects of future painting that require attention.In the future painting process,not only should we focus on upgrading in the “form” aspect,but we should also pay more attention to the expression of “artistic conception”.Only by combining “form and spirit” can the picture be full of beauty and be more vivid.