Study On Daily Narration Of Mei Niang’s Novels In The Thirties And Forties

The daily life narration has always been an important constituent of Mei Niang’s literary narration.Based on the individual experience and thinking,Mei Niang focused on the daily life of all walks of lives in the occupied area in her novels.As a female writer,she had quite a unique angle of view,a keen insight,with which she showed the survival state of the educated youth who lived in the occupied region and their life choices.Besides,there is no lack of the humanitarian feelings of pity in her novels.She expressed her concern and sympathy to those who lived in the bottom of society and children.In the background of the fall of the country,Mei Niang showed how the the war destructed the lives and human nature through the description of the daily life of the characters.Mei Niang has been especially good at expressing the thoughts and choices of women in the face of marriage and family problems.She wrote about the fate of women and expressed her personal experience and thinking.In the artistic features of the novel,Mei Niang has formed her own characteristics on the basis of learning and absorbing the Chinese and western literary culture.She was good at using symbolism,and was able to vividly express her feelings through the choice of highly distinctive images.In the narrative perspective and language,she adopted the first-person perspective,with some strong lyric color.In the history of modern Chinese literature,Mei Niang showed her unique charm.Based on the analysis and interpretation of Mei Niang’s novels,this paper discusses the main features of her novels,then does some summarizes and reflects on them.The main body of this paper is divided into three chapters.In the first chapter,the author analyzes the contents of her daily life narration in two aspects:the description of the world and the expressing of female experience.The second chapter analyzes the unique artistic style of Mei Niang’s daily life narration from two aspects:the profound image world and the narration structure.The third chapter is built on the basis of the two previous chapters,then tries to summarize the unique value of her daily life narrative:she focused on characters lived their lives in the occupied part of China,using their portrayal of the devastation as a unique side to reveal the truth of the war and the distortion of human nature.With the performance of the present,she ulteriorly exhibited the human nature,which gives her work the meaning beyond the time.