The Mutual Infiltration Of Literature And Film

A Cheng is one of the earliest writers of " touching film " in the contemporary literary world,and the practice of the script has been continued to date.Among them,there are many classic works,which are of great research value.However,the critics are still limited to the scope of the study of A Cheng's literary works.The research on his film plays is still blank.This will undoubtedly make this research work opportunities and challenges coexist.Although literature and film in the eyes of A Cheng are two different forms of art,they are mutual,not closed.Therefore,this thesis attempts to take the mutual infiltration of A Cheng's literary creation and script writing as the breakthrough point to explore his persistence and breakthrough in the process of writing from literature to film script.Among them,the introduction launches from four aspects tease out A Cheng's interest transfer from the perspective of the great culture,and clarify the unique features of A Cheng's novels and plays in the cultural infiltration.The second part is to proceed from the three aspects of roots,secular,Zen thought,and layer by layer analysis of A Cheng novels' deep meaning,to explain the difficulty of adapting a novel into a movie.The third part is mainly from the light and shade color,the picture lens,the montage technique,and the dialogue sound,to prove that the method of dealing with the film in A Cheng's novels is only auxiliary to the novel.The fourth part from the "king of the children" "chess king" in the film adaptation of the pros and cons,to clarify the technique borrowed from film in A Cheng's novels services the purpose of literature.The fifth part summarizes the basic context of A Cheng's script creation,and from three aspects:the background selection,personnel management,poetic narrative,to expound A Cheng how to put the idea of literature into his screenplay,so that literature and film can exert beneficial influence on each other without prejudice to the basic integrity of each other in the arts.The sixth part is to illustrate the typical significance of A Cheng's novel writing and script writing in the era of audio-visual:expand the living space of the novel creation and inject vitality into the film culture market.