A Study Of Zhou Mi And His Friends

This article refers to the work of the predecessors and contemporaries,on the premises of verifying the lives of Zhou Mi and his friends,under the background of return to the scene of the Song dynasty history,to clarify Zhou Mi and his friends' the trajectory of the creative activities before and after the Song dynasty,and put Zhou Mi l and his friends to the life,poetry thought,poetry style in common climate to explore the trend of its existence.The main body part is three chapters.The first chapter is about the general situation of the poetry collection of “Pin Zhou Yu Di Pu”,“Cao Chuang poetry”,“Bian Yang old man poetry” and “The wonderful poetry”.“Pin Zhou Yu Di Pu”is completed in the end of the Song dynasty,there was no such thing as the death of the emperor.The poetry of “Cao Chuang” and“Bian Yang old man poetry” should be written in Yuan and Qing dynasty respectively,and all of them are used in the works of different periods before and after the death of the Song dynasty.And “The wonderful poetry” was in the Yuan dynasty.On this basis,according to the“Pin Zhou Yu Di Pu” without the poetry after death of the Song dynasty as the clue,the outline Zhou Mi's life under the premise,in combination with Zhou Mi's poetry,notes and friends' life and poetry further age confirming Zhou Mi's poetry,It also analyses their thought of home andnation displayed in responsion activities of poetry.The second chapter analyzes Zhou Mi and his fiends' poetry thoughts.Before the death of the song dynasty,the author and the author of the song,most of his poetry,wrote the poems of the west lake.However,the rare and scattered situation of the songwriters has also made it possible for the members of the west lake to express their grief and sorrow at the time of mourning for the old friends.The building capsized and the southern song died.The people of the word are descended from the people.No matter whether the wild crane is in the place,or in seclusion,or a scholar official,eager to be reclusive,but all sentient to the motherland,the heart of the old country.The words of the person or the revisiting or revisiting the waste garden,or the chant for the huai,with the words of the outer garment,to the reality of the feeling and the mourning of the country.The third chapter explores Zhou Mi and his fiends' poetry thoughts and poetry style,will be its theoretical ideas to the study of ci poetry of the late general framework,seamlessly into the aesthetic trend of The Times,found Zhou Mi and his friends pay attention to the creation of the size of the pursuit and theory demands.Zhou Mi and his friends in the creative practice and practice of the theory that is formed with the style of poetry theory of cooperated very well.As an individual,it has formed the poetry style which belongs to its own quiet and elegant and elegant work.As a member of the group,the author has a certain universality in the dominant style of the poetry,which is the common characteristic of advocating elegance,harmony,harmony and sadness.This article through studies suggest that Zhou Mi and his friends poetry from southern Song dynasty and the Yuan dynasty,his poetry reflects the national in the pain,the heart of the poetry,quality of life,and for the history of the early Yuan dynasty reality and river's lake,adherents of subjugation spirit left a true portrayal.At the same time,it is of great significance to improve the character of poetry and to standardize the creation of poetry.