Research On Color Preference In Children's Food Packaging

Since prehistoric times,the depiction of female beauty in figure painting has always existed and is still an important subject of painting.under the general environment of the modem transformation of Chinese painting art,it is necessary to discuss the differences between traditional and modern Chinese painting and the origin and process of the transformation of " Chinese painting" from the painting characteristics and painting language.Through the research on the transformation of traditional Chinese ladies' images into paintings,this paper presents the traditional Chinese ladies' themes,combs the cases of modern Chinese ladies' paintings,explores the integration of modern Chinese ladies' themes with traditional Chinese characteristics,and the integration of Chinese and western painting forms,and shows the femininity and charm of ancient Chinese women.it puts forward to find a breakthrough point at the intersection of ancient and modern Chinese and western cultures,make the conversion of individual painting languages,further draw lessons from the relevant paintings of modern and contemporary Chinese traditional ladies,and pursue the modern and elegant flavor of the pictures.In the painting practice of this research topic,I tried to express the traditional Chinese image of a lady with western oil paintings,blending two different cultures to form a modern image of a lady with the characteristics of the times.One is that modern Chinese artists are influenced by traditional Chinese culture,while the other is that the nationality of oil paintings has been discussed.The ancient and modern Chinese and western art forms met unexpectedly,which made me have many creative ideas.In the series of " yee Meng" I created,through time and space,traces of mottled flow,that kind of interest brought about by the uncertainty of time,are applied to the strokes of the works.Inspiration comes from the modern painter's research on the texture of the picture and the profound shaping of the texture of the picture.As Chinese descendants,they have Chinese traditional cultural background.if they abandon their own national artistic spirit,they will lose the cultural background behind their works.In the process of research,through analyzing the painting characteristics and language of traditional Chinese painting,the background,process and painting characteristics of modern Chinese painting after transformation,the common and different points of their art were found.Combing the works of modern traditional Chinese and female painting artists,aiming at the further study of the use of color,lines,planarization and imagery in formal language,and combining with their own oil painting creations,they try to absorb the ancient and modern in practice and theory,and integrate the Chinese and western.Finally,through the integration of rational cognition and perceptual practice,the transformation of traditional female image painting in practical creation is reflected from four dimensions:inheritance and modernity of aesthetic subject,expansion of connotation of conception,creation process,and relevant transformation of painting language.Continue to systematically learn ancient and modearn classics from the determination of painting themes to formal techniques.The modern expression of traditional ladies hopes to lay a foundation and draw lessons from the future artistic creation.