Study On The Upstream And Downstream Poems Of Li Yu And Li Lu's Legend

Since the birth of drama,the poetry has already appeared and has been playing an extremely important role.This paper selects two representative writers Li Yu and Li Yu in the late Ming and early Qing Dynasties to study and compare the creation of the two generation's legendary works,and to explore the similarities and differences between the two people's poetry on the top and bottom and their influence on later generations.This article is divided into four parts:Because the academic yet authoritative definition of the concept of poetry on the end,as in the introduction,firstly summarizes the creation of opera,from the song and Yuan Dynasty to Ming and Qing Dynasties legend among the end of poetry,and carries on the introduction to the research status on field of poetry from the perspective of location,style,function and aesthetic characteristic.The first chapter studies the poems in Li Yu's legendary works.The17 extant legends of Li Yu can be divided into three categories: social drama,current drama and historical drama.This is the classification of Li Yu's legend,but also roughly corresponds to the three stages of Li Yu's legendary creation.This chapter is divided into three sections to discuss the basic situation of the upper and lower poems of the three legends.Through the analysis,we can see that although the themes of Li Yu's legend are changing,the pursuit of natural opera language and the attention to social reality are the overall characteristics of the upper and lower poems of these three kinds of legends.The second chapter discusses the poetry of Li Yu's legend.Li Yu's ten legends are all social amorous comedy,which can not be classified and discussed.Therefore,this chapter is divided into two sections.From the artistic features and functions of the two aspects of the legend of Li Yu's upper and lower poems.The upper and lower poems in Li Yu's legend also pursue the natural nature of language,but unlike Li Yu,Li Yu pays great attention to innovation and does not like to quote the old sentences of predecessors,and Li Yu often uses the poem to elaborate his opera theory.The third chapter is divided into two sections.The first section compares the similarities and differences in styles and features between Li Yuhe and Li Yu's works.Through comparison,we can see that the language of Li Yu's legend is more popular than Li Yu's.Li Yu,though he also pays attention to popularity,is higher in pure artistic quality.The second section compares the similarities and differences between Li Yu and Li Yu's legendary creative ideas.Li Yu's poems are completely free from old and old sentences and full of attention to social reality;Li Yu tries to innovate and aims to entertain the masses as not as noble as Li Yu.The fourth chapter,from three aspects of language,quantity and stage,discusses the influence of the creation of the poetry of Li Yu and Li Yu on the later generations,mainly by Kong Shangren's "Peach Blossom Fan" and Hong Sheng's "Chang Sheng Dian" as the main reference object.From the creation of the upper and lower poems,it can be seen that Li Yu's strong concern for reality,Li Yu's diligent pursuit of innovation,and the contribution of the two to the stage of the legend have greatly influenced later generations.