The Cultural Interpretation And Function Change Of Traditional Fplk Dance In Zibo Area

Zibo is located in the central part of the Shandong peninsula and has a long history.It is the birthplace of Qi culture and a national historical and cultural city.As early as 4,000 years ago,the ancestors who lived in the land of Qilu created beautiful dance art.As the birthplace of Qi Culture,Linyi boasts rich historical resources and cultural backgrounds.The prosperous and prosperous Eastern countries have also enjoyed prosperous music and dance.According to historical records,the court of Qi State has a large dance team and professional song and dance dancers.Nowadays,from the dance ancestors unearthed in the tomb of the Linzi Qi State,“some dancers have big arms,lean forward,and fly;some hands rest on the front upper part,some on the shoulders,and one on the other.The body is diagonally slanted forward and overturned,with a graceful dance posture,light movement,and charm.” It was enough to explain the prosperity of the Qi and Yue dance art at that time.Since modern times,with the development of social economy,Zibo's dance art has gradually evolved and evolved some forms of traditional folk dance with local characteristics.These dance forms all reflect the simple customs,deep cultural heritage and bold and wise life orientation of the people of Zibo.The full text of this article is divided into three parts:introduction,body and conclusion.The introduction mainly elaborates on a series of contents such as the research purpose,research content,and research methods of this article.The first chapter of the main part mainly summarizes the traditional folk dances of Zibo and describes how the development of Zibo politics,economy and culture has affected the development of folk dance in Zibo.This article studies the cultural interpretation and functional changes of Zibo's traditional dances.Thesecond chapter mainly discusses the cultural interpretation of Zibo's traditional folk dances,and uses the three directions of Dongyi culture,Qi culture,and Confucian ritual music as the entry point to analyze the main connotations and unique cultures of each culture.Beliefs,religions,and spiritual pillars combine various cultures with local folk dances in Zibo and elaborate their interrelationships.The third chapter discusses the transformation of social functions of Zibo's traditional folk dances,and focuses on the praying function of Zibo folk dances.,Rain function and entertainment function are discussed,and in the context of the continuous development of society,the social function of Zibo folk dances has changed along with it.The fourth chapter mainly discusses how we should protect and innovate traditional folk dance and “intangible”dance in today's society.Finally,according to the research content of this dissertation,it is summarized and summarized.