Brief Analysis Of Environment Creating Consciousness Of Chinese Landscape Painting In Its Embryonic Stage

In the formation and development of Chinese landscape painting,it and landscape poetry virtually has a mutual effect on each other.A great feature of landscape painting is that it can express meaning and emotions through painting.There is an old saying that the environment can obscure the man.And another saying "painting can obscure the environment".Chinese landscape painting is closely related to brushstroke and artistic conception.The painter organizes his thoughts while wetting the brushes,and uses his artistic conception to direct the brushes,which cannot do without brushstroke and artistic conception.However,with the continuous collision of Chinese and foreign culture,a large number of foreign painting ideas are understood and accepted.There is no exception in the creation of Chinese landscape painting,which also varies,and produces a lot of novel landscape paintings.But there are always some works that give people the feeling of being neither western nor Chinese,which created the question of "what is the Chinese landscape painting?" Huang Binhong said: "Painting is of a people,not of an age.Although through ages it changes its appearance,the spirit does not change......" The connotation of the Chinese traditional inner spiritual culture is in fact the "spirit" mentioned in the painting.In other words,if we want to learn Chinese landscape painting well,instead of learning from western painting,we must first learn and grasp the essence of Chinese traditional landscape painting,because Chinese landscape painting is a culture rather than a skill.It is very important that in the creation of landscape paintings,we should appreciate their essential characteristics.It is recorded in the literature that the Jin Dynasty is the period when Chinese landscape painting originated,but original works of this period are hard to see.Thanks to Gu Kaizhi,Zong Bing,Wang Wei who are theorists and painters at the same time,we can still read their essays on landscape painting.Among them Gu Kaizhi's "A Record of Painting Yuntai Mountain" has long been regarded as the earliest landscape painting literature during the budding period.This paper will not define what is Chinese landscape painting,but will explore the bottom line of the innovation and inheritance of Chinese landscape painting,that is,the essence of Chinese landscape painting--"creating artistic conception".We will trace back to the earliest literature of Chinese landscape painting,"A Record of Painting Yuntai Mountain",find the characteristics of early landscape painting,and discover the consciousness of "creating artistic conception" in the budding period of Chinese landscape painting.