The Warmth Behind The Desolation

Chi Zijian as a new era in the literary world of the Northeast Women writers,despite the creation of regional characteristics,women's writing,the reflection of modern civilization,etc.,but in the past 35 years of creative career,she is independent of any literary school.Since the middle of the80 's,the literary world is complex,Chi Zijian is in this noisy in the one side of the clear,to the literary world blow into a fresh air.She is a writer with both realism and romanticism,on the one hand,she does not shy away from writing the plight of real life,the complexity of natural humanity,on the other hand,she tried to embrace these not beautiful,with warmth and goodwill to dissolve the ugly and evil,to the deformity of tolerance and understanding,so its works always have a pleasant temperature,showing a Shing,Clear and moist and charming temperament.Even the deepest fear of the human race-the writing of death has its charms.The author intends to interpret the death writing of Chi Zijian's novels from the perspective of Narratology,and explores how the author chooses the narrative angle of view and the artistic use of narrative control mechanism to make death write in the bleak background of the warm,conveying the author's harmonious and unified philosophy of life and the literary faith of tenderness.This paper is divided into three parts: introduction,Body and conclusion.Introduction:The first section elaborates on Chi Zijian's creation and research survey,the second section combs and "death narration" related research results,in the third section briefly discusses the topic reason and the research method and carries on the necessary explanation to this article "The Death","The Narratology","the death narration" and so on.The text is divided into three chapters: the first chapter investigates the change of death narration in each stage from the perspective of limited knowledge,the feminine angle of view and the omniscient God perspective,and excavates the harmonious and unified life philosophy contained therein.The second chapter from the narrative control mechanism to see how the text to use time factors,space factors,scenery factors to effectively control the text,to achieve the death of poetry and warmth of writing,and reflects the author of the literary faith of tenderness.The third chapter discusses the unique aesthetic character of both divinity and poetic in the death narration from three aspects,including the richness of death image,the style of narrative language and the style of narrative mood.The conclusion part points out that the death narration of Chi Zijian's novel retains "a wisp of warmth behind the desolation" from the content to the form.Specifically,the first chapter of the child's perspective of innocence obscured the truth of death,death,with its fresh natural gas,conveys a life view of the simple sincerity of life and the harmonious unity of man and nature;Romance in the feminine perspective weakens the ending attribute of death to life,and the death of the pen transcends time and space to relive the love of the world,It conveys the life view of the Zi Yi.The omniscient nature of God's perspective presents every detail of daily life,expressing the light of human nature and humanity,which shines forever in the darkness of the world,and can be confronted with the simple existence,the tenacity of humanity,the warmth of human nature and beyond death.The second chapter takes the novel narrative control mechanism as the cut-in point,realizes to the death moderate warmth writing.From the time mechanism,with the time of the past to fade the death of the fact of the bitter,to give the death of gentle light,in a certain span of time to slow down the narrative rhythm of the life of ordinary individuals to fully show respect for the common individual,in the alternating timing of the noble nature of death highlighted.From the space mechanism,even if the whole age or social period is tragic,the author still gives the written death tenderness through the goodness of human nature,and in the natural small space of the spiritual culture of the region,especially in the pantheism and spiritual culture of all things,death is presented in a tender and poetic way.From the view of landscape mechanism,landscape factors can create poetic atmosphere for the occurrence of death,weaken the solemn and desolate of death and funeral scenes,and integrate death into a more expansive landscape to open up the value and beauty of death.The third chapter analyzes the richness of death imagery from the natural image of full and the profound humanistic image,sums up the style of narrative language from the poetic and colorful nature of the language,and sums up the style of the narrative imagery from the poetic nature of the artistic conception and the divinity.Combining the three,we can see the aesthetic character of the novel Death narration which is both divine and poetic.The conclusion part points out that Chi Zijian is a writer who takes care of the world with love and goodwill,and under the governing of his literary faith of tenderness,the desolate death also appears sentimental.The warm death narration conveys the author's harmonious Life View of "Heaven and Man","Life and Death",as well as the recognition of the good human nature and the strong power of daily life,and thinks that they are enough to make people detached from death and suffering.The image of death,language and the artistic conception of creation make the text dense in a mysterious and poetic,which has achieved the unique aesthetic character of the works.In short,Chi Zijian's novel Death narrative from the content to form all retained the "desolate behind a wisp of warmth," sadness and not despair.