A Comparative Research On The Styles Of Sino-American Comedy Films Since The New Century

Since the new century,the overall development trend of the Chinese film industry is good,more and more people begin to pay attention to the film.Comic movies are an important part of the national cultural industry.China's international status is becoming more and more high,but the development of the film industry is not directly proportional to it.The crucial issue now is to enhance the development of the movie industry and promote the improvement of the national cultural soft power.Chinese film is in a new era of globalization and media convergence,the innovation of movie production mode and the increasing demand of national demand.At the same time,the film industry chain is becoming more and more abundant.At the same time,the film can also convey the mainstream values of the country,maintain social stability,guide the people's emotions,meet the needs of people's aesthetic and entertainment needs,and be able to condense the people.Comedy films in China combine their own characteristics and create some works that conform to global norms.This article,taking the Chinese and American comedy films as the breakthrough point since the new century,finds the academic foundation of the study of the style of comedy film creation through the literature research method,uses the case study method to extract the creative characteristics of the Chinese and American comedy films,and uses the empirical research method to combine the graduation works fully,and combines the creation of the graduation works on the basis of theory.From a number of angles,the paper is divided into six parts.The introduction part mainly expounds the background and significance of the study of Chinese and American comedy film creation style,literature review,and the second parts of the Chinese and American comedy film creation styles.The Chinese comedy film creation is divided into the first five years of the beginning of the century and the two periods of the 2006.The third chapter focuses on the commonness between Chinese comedy film and American comedy film.It points out that comic movies in China and the United States pay attention to society and life,pursue social hot topics,care for small people,and pay attention to the spirit and emotion of modern people.It also points out that both Chinese and American comedy films have the banter expression of the theme,both of the continuation of the cruel comedy and the performingcomedy,and the other The integration of language symbols and behavioral symbols and the application of rich spiritual comedy.The fourth chapter is about the difference of the creation style,from the four aspects of audience positioning,narrative way,role modeling and comedy.The fifth chapter is the cause of Chinese and American comedy film style difference,from the subjective and the objective two angles to analyze the difference,and draw lessons from the successful experience of learning Hollywood comedy film,not only expand the subject,increase the scope of the audience,pay attention to the integrity of the narrative,break the simpleness of the structure,reduce the exaggeration of the performance,and increase the connotation of the comedy film.The key is to carry out in-depth exploration of how to develop Chinese comedy movies in the future.In the process,the cold-blooded killer finally realized that he longed for the ordinary life,but also had the ability to live a normal life,in addition to the river and the lake.The work strives to make the theme clear and avoid falling into the custom;the character is prominent and the character is distinct;the audio-visual language specialty,the picture style conforms to the subject requirement.The graduation works make full use of the lens language to shape the humorous and interesting characters,and use the editing to achieve the two creation of the film,the two degree of the story,and the final slice to the smile.