The Research On The Villain Of Domestic Spy Drama In The New Century

As the 1980s domestic spy drama creation began,it soon matured in the new century.In essence,it was at the main core of positive spies or espionage activities,which narrated with our party and army's fight with the hostile forces.It enriched the content,innovated in form on the basis of the traditional anti-spy film and especially made great changes in the shaping of the characters and breakthroughs in the types of the villain in the play,laying the foundation for the maturity and prosperity of the domestic spy drama.Therefore,the cause of being red,types of roles,the function of narration and the value of the villain are all well worth studying.The research idea of this paper is to concretely analyze several masterpieces.use character images and systematize the villains in some typical spy drama,mainly applying the narratorlogy and the theory of villain to analyse in detail political types,the function of the narration,the value of its meaning,the cultural crux of the image building of the villain etc,which is of great theoretical and practical significance to the image building of the villain and the characters of TV plays,as well as the long-term development of the spy drama.The paper is divided into six parts.The first is the introduction,mainly composed by the three aspects of the research background and significance,research status,research methods.Firstly,starting from the present prosperous situation of the hot of the villain of the spy drama,it discusses the research background,then combines the previous researchers to sort out and classify the research of the villain in the spy drama,and intends to clarify the significance of the research on the villainSecondly,The main body is the second part to fifth part of this paper.The second is based on different characters of the spy drama,defining the types true human nature,fate present situation effect and sense of personal identification,and analyzing the reason for the popularity of different political types of the villain.The third part focuses on the relationship between the villain and the positive,covering the narrative function,that is,the balance of the villain,the explosure,game analysis:The fourth points at the specific meaning expression of the typical domestic spy drama's villain role in the current century from political reduction and the appeal of human nature and inquires into why the reduction exists.The fifth discusses the cultural reflects at the angle of character creation,social beliefs,television policies,and also put some suggestions forward in order to change the weakness of the present situation.The sixth part is conclusion,which mainly summarizes and summarizes the full text,and puts forward the expectation for the new stage of the domestic spy drama.From the creation environment and situation of the current spy drama,the villain is still in a very awkward position.Even in the performance of the play,it is difficult to obtain the proper evaluation and recognition in the Flying Goddess Award and Television Awards.Therefore,as far as the position of the play is concerned,the importance of the villain role is necessary,In view of this,the villain should balance the relationship of scenes,function,meaning with the positive role and work together to enrich the character image and to show the spiritual direction of the teleplay,so that the villain role can be recognized by more people and play its greater artistic value.