The Application Of Chinese Tradition In Oil Painting "Touches"

With regard to my graduation of oil painting “touch”,it is using realistic technique of western art combined with Chinese tradition elements and applied lines,strokes and artistic conception to title selection,composition,color,modeling,portrayal to my subjective cognition of “touch”.Through check literature and read and interpretation of the works of the two masters of Kandinsky and Wu Guanzhong in the first part of chapter 1,it is found that there are many similarities between the elements of point,line and face in modern western and lines,strokes and artistic conception in traditional Chinese painting,they make me feel real and virtual,dynamic and quiet,complex and simple,and warm and cold when coherence of the two masters in the form language of paining and the formal of the art advocated by Wu Guanzhong.In the second part of the article,I will present the creation process of "touch" with the expression rule of painting,trying to use the combination of Chinese and Western art in the process of creation.Western art is partial to form,space and texture,but it is verve for Chinese tradition.There are many painters that they want to show how to combinate them,such as: Xu Beihong has a proposal about " Chinese-substance western-use,western-body Chinese-use"".The form of artistic beauty advanced by Wu Guanzhong.In the modern spirit of China,they are the representative figures of the integration of Chinese and Western cultures.From the development of modern painting,it will form a unique Chinese oil painting by reference and integration of the eastern and Western paintings.Through the realistic expression,it will make the creation that have the spiritual experience of the scientific and rigorous western art and the Chinese traditional meaning and have a high aesthetic realm.