The Analysis Of Visual Effect In The Art Of Film

Technology not only provides new mediums and carriers for artistic creation but also acts as another connection between artistic creation and life.Art is tightly related to life while life and technology mutually promote.With the gradual perfection of people's material life,people are attaching more and more importance to the needs of the spiritual world.As the representative of the cultural industry,films are becoming more and more popular with the masses during their daily consumption while the development of the film industry is being laid more and more emphasis on by the consumers.During the rapid development of domestic film industry,the development of film visual effect technology is the inevitable part that condenses the wisdom of generations of film post-production staff.In the author's view,it is an eternal topic for contemporary filmmakers to find out how film visual effect technology can serve for the film contents better based on the abundant production experience.With reference to the author's over one-year actual post-production experience,starting from the actual developing situations of domestic film visual effects,elements of consciousness and vision sense in the film art application are summarized and rearranged from the perspectives of construction of fancy scenes,design of light effects and shooting techniques with the film visual effect creation in the author's graduation design,the Dream Journey of Princess Iron Fan.Through analyzing the technical measures and artistic expression of film visual effect production,the improving space of domestic film visual effect technology and art is explored.In view of the present status of domestic film visual effect production,the suggestion that visual effect technology shall serve for film contents is proposed in hope of improving the positive influence of visual effect technology on film artistic creation.Meanwhile,the author believes that the discussion is of great significance to the analysis on reasons for the huge gap between domestic and foreign film quality to some extent.