Singing Analysis Of Three Aria In Opera "Wang Gui And Li Xiangxiang"

We may know more about the name of Wang Gui and Li Xiangxiang than Li Ji's long poem.Many people do not know the existence of this opera.In 1951,the opera was officially staged at the people's Art Theatre,the first new opera after the founding of the people's Republic of China.In the development of Chinese traditional operas,the contribution of the opera can not be buried by time.2015 is the 70 th anniversary of the opera "white haired girl" premiered in Yanan.The Ministry of culture has spared no effort in the rearrangement and publicity of the opera.The audience went to the opera house to watch the opera.The author is in it,But at the same time,I can't help thinking,When can the opera of Wang Gui and Li Xiangxiang be widely understood by the public? Based on this,I choose this opera as my graduation research.In this paper,three aria in opera Wang Gui and Li Xiangxiang are studied,and more evidence is found in the process of research,and objective analysis is carried out.The main part of the thesis is the summary of the Chinese national opera "Wang Gui and Li Xiangxiang",the musical features of three arias in the opera Wang Gui and Li Xiangxiang,the singing characteristics of three arias in the opera Wang Gui and Li Xiangxiang,and the development of the Chinese opera from the opera "Wang Gui and Li Xiangxiang",and the development of the Chinese opera.The research background of the whole opera and the basis of the topic are analyzed to clarify the research significance.The research status of "Wang Gui and Li Xiangxiang" is combed,and the research methods and research objectives are expounded.Chapter 1: the outline of Chinese national opera "Wang Gui and Li Xiangxiang".The first section is an overview of the traditional historical background and present situation of Chinese opera.Before the study of the opera,there is a basic understanding of Chinese traditional opera,a rigorous approach to history,and a rational attitude towards the status quo.The second section is an overview of the opera "Wang Gui and Li Xiangxiang",which mainly understands the creation background and team of the opera Wang Gui and Li Xiangxiang,and has a deeper understanding of the opera noumenon.The second chapter: the musical features of three aria in opera Wang Gui and Li Xiangxiang.It is an understanding of the musical features of three aria in opera.This part mainly focuses on the characteristics of music singing,harmony and orchestration,and the characteristics of Wang Gui's and the lyrics in the opera "Wang Gui and Li Xiangxiang".The first section introduces the progress of singing and reading.The second section introduces the contributions made in the integration of harmony,Western and national musical instruments.The third section is about how special the choice of lyrics and texts is.The third chapter: the singing features of three aria in opera Wang Gui and Li Xiangxiang.This chapter analyzes these three aria from the perspective of singing: "Wang Gui is a good child," "a red flag","I can't agree with my eyes,I want my sister".The main contents are divided into three parts: synopsis,Aria and singing performance.Combined with music works and teaching examples,analysis and combing.The fourth chapter: from the opera "Wang Gui and Li Xiangxiang" to see the development of Chinese national opera.This chapter first based on the traditional Chinese music elements for music creation,followed by the creation of Chinese cultural resources to create a national opera,and finally to adhere to the "take me as the main" compatibility and western advanced creative ideas.Last but not least,the pursuit of a diversified media is to expand the platform for opera development.In short,starting from the opera "Wang Gui and Li Xiangxiang",in the study of its breakthrough,at the same time,looking forward to the future of Chinese national opera.