The Artistic Fearures And Aesthetic Research Of The Er-ren-tai Clown

Clowns have a long history in chinese opera,which itself has very important research value.It is a mirror of real life,and an indispensable comedy characer to appreciate beauty and ugliness.The same way of the er'rentai clowns.ErRenTai as the multiple provinces and regions common development small local drama of Mongolia,shanxi,Shaanxi and some other places.With the May 2006,er'rentai became the first batch of national intangible cultural heritage list,many literary scholars start to pay attention to it.ErRenTai clowns have broad mass base,and has become the spiritual carrier of the local people.For development the local ethnic characteristics,this article based on interviews with practitioners of er'rentai clowns,integrated use of theoretical research and practical application of the method of combining to dicuss the artistic characteristics and aesthetic experience study of er'rentai clowns.The main body of the article is divided into four chapters.The first chapter is art in the er'rentai clowns.Including the history ofdevelopment of er'rentai clowns,the classification of er'rentai clowns and the typical repertoire of clowns for four sections.The second chapter discusses the er'rentai clowns' the stage presentation artistic features from the performance,language and dress up.And through the comparative study of east and west inside,and contrast with other forms of art and analysis of it's artistic characteristics.The third chapter analysis the er'rentai clowns from the aesthetic point of view,the ugly and ugliness of the clown,the funny expression and the pursuit of laughter of the aesthetic experience characteristics.And explores the clown's aesthetic experience function value of narrative transfer,education and recreation,enriching the field of contemporary Art.The forth chapter analysis the er'rentai clown's situation,analysis of the appearance of clown in development.As women who plays the part of clow are less than men;for the audience's eyeballs,the performance is vulgarization;the lack of the image of clown in the process of development.And in view of these phenomena,the cultivation of the clown talent team is put forward.The continuous innovation of the clown performance and the development of the “degree”.The third part is the conclusion part.