The Study Of Image Oil Painting

"Image oil painting" is a new term that appeared in China in recent years.It is the product of collision and integration between oil painting and traditional culture.The "oil painting" originally came from the west,and image is an important aesthetic category in Chinese classical aesthetics.Since the introduction of oil painting to China,Chinese oil painters have consciously used the traditional cultural ideas to integrate western oil painting to promote its localization and reflect the aesthetic characteristics of "image" in China.So there is a generation of "image oil painter".Such as the first generation of Lin Fengmian,Liu Haisu,Wu Dayu,the second generation of Wu Guanzhong,Su Tianci and the Young and middle-aged contemporary of Zhang Dongfeng,Xu Fuhou,Chen Hexi,Wang Kun,Zhao Kaikun,Li Chengmin,Wang Keju,Wang Keju,Qian Liu and so on.In contemporary China,the "image oil painting" is attracting more and more attention and controversy in the oil painting field,and the voice is getting higher and higher.Its theme exhibitions,academic reports and sketching activities emerge in endlessly.This paper takes the contemporary "young oil painter" as the object of study,taking the imagery oil painting as the research content.First of all,from the ancient Chinese philosophy,traditional painting,and the exploration of the "image painters" of the ancestors,it analyzes their ideological origins,then analyzes the profound traditional cultural and ideological connotation behind their works and interprets the unique ideas of their works,and analyzes the common "image" aesthetic appreciation of their works.Finally,it points out their epochal and realistic significance for the development of image oil painting.