Research On The Magical Realism Style Of Director Wes Anderson's Works

In recent years,many excellent film and television works have emerged all over the world.In addition to the story plot and grand scenes of the science fiction and other special exquisite suction eye masterpiece,Wes Anderson's recent works Moonrise kingdom and the unique composition The Grand Budapest Hotel on the bright and avoid leaning to either side the picture color has become lets a person not forget the movie.In the composition and color of unique personal characteristics under the guise of Wes Anderson,the wonderful world of elaborate wandering between reality and illusion was also ruminate.In the world of Wes Anderson,the characters are distinct,the drama is clash and exaggerated but realistic.The viewpoint that the author wants to convey in the movie is also worth pondering.Based on the characteristics of magic realism,this article separates these characteristics from the real and absurd areas,and studies and interprets it with the works of Wes Anderson.In the early 1950 s,as a school of literature,magic realism appeared in Latin America in the early years.It can usually lead audiences into a freak or fantastic world in film and television works.It is difficult to convey to the audience clearly and completely through the true and concrete world.In essence,the role of magic realism in film and television works is to reflect the real life in the movie,and its purpose is to reflect on reality in a pure illusory world.In addition to the analysis of Wes Anderson's magic realism style,the paper also studies the style expression of the film.Through the analysis of methodology,we can see its world view more profoundly,and analyze its counteraction to the formation of magic realism from the way of style expression.