The Color Application And Analysis Of The Film “the Grand Budapest Hotel”

When the black and white film gradually can not meet the needs of the public viewi ng, people began to strongly desire the film to be able to reproduce the true color, to th e film on the success of color. In the continuous improvement of people’s aesthetic leve l in today’s society, color is not only as a technical means of true color reproduction, m ore important is it can determine a piece of the overall visual tone, affecting the overall visual style of film, and atmosphere of the rendering and the characters inner psycholo gical manifestations. The use of color relationship with the success or failure of the wo rks, through the study found it in the movie is not limited to background characters, ren dering the environment and atmosphere, color in the film as a kind of unique narrative means to participate in the film narrative structure is more important.Now, American film is representative of the movie world advanced level, to Holly wood independent film director is a leading movie world development. In recent years,Wes Anderson in the American independent filmmaker is very representative of a. Ev ery time we see a film. We rarely go to the film from the color of the film works, perha ps more people are concerned about the plot, characters, etc.. But we can not deny that color plays an important role in the film works.This paper mainly on the film "THE GRAND BUDAPEST HOTEL" color application of the case study, mainly includes four parts:In the first part, it clarifies the background, purpose and significance, research cont ents and methods of the research and the development of the research at home and abro ad.The second part: the relationship between the film color and the film theory, to und erstand the relationship between them, and the impact of the two, to pave the way for t he next analysis.The third part: the beginning of Wes Anderson’s film THE GRAND BUDAPEST HOTEL "color of analysis and research, the analysis from the basic theoretical framew ork of Wes Anderson color, and his film color mode of expression and presentation, an d his color model on three aspects of the impact of the current film analysis and find th e point of view of color in the film new function.The fourth part: mainly carries on the analysis to the role of color in the film narrativ e structure, respectively from Wes Anderson film in color and narrative structure and p erformance, with type films in color and traditional narrative structure performance ana lysis, and color in complex narrative structure analysis of the role and the film color vi ew of Chinese contemporary film Enlightenment in the four aspects are analyzed and s ummarized from the personal ideas and suggestions. It proves that the new function of color in the narrative structure is correct. And analysis of the enlightenment. A brief s ummary of this article.