Some scholars in the contemporary academic circle have studied and discussed "large flower-and-bird painting",and this phenomenon is gradually attracting more and more people’s attention.The meticulous painting of large flower-and-bird painting analyzed in this paper is different from the ancient panoramic flower-and-bird painting,and does not involve the large spatial works with blurred boundaries between landscape painting and flower-and-bird painting in panoramic flower-and-bird painting.As the representative painter of flower and bird paintings in the Ming Dynasty,Lv Ji’s large flower and bird paintings show a "transition" appearance,absorbing the strengths of all families,based on the society and The Times,forming his own art painting language,which is of great significance to the study of contemporary meticulous flower and bird paintings.This paper is divided into four parts: the first part analyzes the concept of large flower-and-bird painting put forward in contemporary times,and states the scope involved in this paper,and then probes into its different features in each dynasty,and states why the Ming Dynasty and Lv Ji are selected as the main object of discussion;The second part is to analyze the historical background and life of Lv Ji,to explore how to form the appearance of the painting;The third part is to study the artistic characteristics and ideological spirit of Lv Ji Da’s flower-and-bird paintings through the classification and analysis of theme selection,composition form,atmosphere and artistic conception.The last part analyzes and thinks about the phenomenon of contemporary large flower-and-bird painting.Through analyzing Lv Ji’s artistic creation and practice,it examines and analyzes the development status of contemporary meticulous large flower-and-bird painting,and obtains certain enlightenment and benefits.Meticulous flower and bird painting art still has a huge space for development,should follow The Times while giving full play to its advantages,and will shine. |