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The Research About The "Weird" Pattern Of Badashanren's Painting

Posted on:2019-02-28Degree:MasterType:Thesis
Country:ChinaCandidate:J LvFull Text:PDF
GTID:2405330563998559Subject:Art theory
Abstract/Summary:PDF Full Text Request
“Badashanren”,a great master of Chinese painting history who is a painter of late Ming dynasty and early Qing dynasty.As an sennior of great generation,his aloofness,stubbornness,and irritability in the world makes him became an exaggerated and bizarre artis.after his teaching of ancient and modern times and inheritance and innovationThe "bizarre" of his painting schema is not based on a momentary interest,but is a specific artistic expression of his later years' calligraphy and painting works.His strokes are simple,and the strange shapes are closely related to the inheritance of traditional Chinese ink and techniques.However,ifrome his point,the basic point in the creation is the highlighting the philosophy of life.The meaning of “focus on the context,pointing to the heart directly” is the profound philosophy of Laozi and Zhuangzi that has profound expression in its composition and screen layout.“Strange”has rich connotations and distant historical traditions.Historical artists and critics have different interpretations and evaluation criteria for “strange”.Although the “grotesque”embodied in the paintings of the “Badashanren” has always had a unique life tension that cannot be ignored,for a long period of time,this “grotesque” special manifestation is not recognized,and it is even harder to obtain them.The recognition of the upper class.However,in the history of painting,from the loyalty to the soul,there is no lack of loyalty to oneself,and abandoning the precious artistic works that tend to follow the trend simply.No matter whether Taoism or Buddhism could not conceal his strong appreciationes of the world,he used the traditional Chinese painting theory to promote the source of the “grotesque” and to explore the profound connotation that contained in the “ bizarre” artistic form that is unique to him.To find out the lofty grotesque ideals that hidden in Chinese traditional literary theoryand then make a positive guide to the contemporary literati's artistic creation and value concept.The bizarre drawing style of“Badashanren”,pursuing new forms of artistic expression,is the inheritance and innovation of the techniques and unique artistic interests of literati painters such asTang,Song,Yuan and Ming.Throughout the history of Chinese art,“BadaShanren”'s painting has had a profound influence on Chinese painting history and will inspire modern thinking on traditional paintings.This will be the ultimate meaning.This article is based on the study of the relationship between the "bizarre" schema of “Bada Shanren”'s paintings and the reasons of its origin.It evaluates “Badashanren”from the regualr pattern of the development of the art itself and the vast artisticf in cultural background,and regards the emergence of the Big Eight as an art.To analyz the pattern of itself and historical phenomenon.The art of painting differs from ideologies has its own laws to manifestations.Therefore,it is distinguished from the intuitive expression and description of the external world.It is more reflective of social life through abstract forms indirectly.The results show that: “Badashanren” through exoress a unique form of artistic,comfortable,quiet,and a lonely soul.American scholars have said that grotesqueness can be concise in a certain form.“Badashanren” are just like this.Their “frenzy”temperament,“weird” passionate vent,and “grotesque” painting patterns complement each other and form a picture of it.A materialized manifestation of the subjective form gives the viewer a wider appreciation space.
Keywords/Search Tags:Badashanren, Traditional Culture, Artistic Creation, bizarre pattern
PDF Full Text Request
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