An Analysis Of Singing Style In Yan Weiwen's Military Vocal Mousic Works

With the rapid development of our country's economy and society,China's military vocal arts have also developed rapidly.The famous tenor singer Weiwen Yan is one of the outstanding representatives of military vocal music.He combined the opera,folk song,pop,and folk song singing with each other to form a unique singing style.The author consulted a large number of documents,performance recordings,videos,and took the chance to learn and participate in the “Yanshi Gaotu” teacher-student concert in the Weiyue national vocal master class,and got the careful guidance of Weiwen Yan,through many face-to-face exchanges.Through this interview,I can get a lot of objective real information to write this article in detail.According to the above circumstances,this article has three chapters to study his singing style of military vocal music works: Weiwen Yan and his military vocal music works overview,Weiwen Yan military travel vocal music works analysis,Weiwen Yan military travel vocal music singing style analysis.Focusing on three works such as “Little Poplar,” “One,Two,Three,Four Songs,” and “Strong War Songs,” the analysis of the composition of words,songs,and the music structure of the work was carried out.The three works were made be a breakthrough point to analyze the Weiwen Yan military brigade.The vocal works sing in the unique skills of biting,vocalization,lyricism,secondary creative processing and performance.Because there has little research on the singing styles of the vocal music works of the Weiwen Yan military brigade,the author hopes that he can enrich the singing style of military vocal music in China and sing in military vocal music works by splicing Qiu Weiwen's military approach,singing concepts and song processing characteristics.How to combine national characteristics on the military vocal music teaching can play a certain reference.