A Study Of Busoni's Musical Aesthetics And Practice-using Opear "turandot" As An Example

Italian pianist and composer Ferruccio Busoni(1866 April 1-1924 July 27)(given names:Ferruccio Dante Michelangiolo Benvenuto),not only worked creations and achievements in the field of piano performance and work adaptation,but also had the musical aesthetics beyond his living era."Turandot" is the third of the four operas in Busoni's late career of artistic work,and it is also the mature work during his personal musical aesthetic practice.This paper refines the core points in the view of Busoni's musical aesthetics and analyses the music in the opera "Turandot",considering the practical degree of the opera from its aesthetic point of view,and finally based on the music's development in the early 20 th century,explains the significance of the opera in the musical history.This paper consists of five chapters.The first chapter is an introduction.The second chapter includes Busoni's musical achievements and creative fields,especially focusing on his late musical aesthetics and opera works.The third chapter discusses Busoni's musical aesthetics and refines his core view.The fourth chapter analysis how using Busoni's musical aesthetics in the opera "Turandot" creation process,music ontology and specific paragraph level.The fifth chapter is a conclusion which gives Busoni's opera "Turandot" an objective evaluation.