The Aesthetic Research Of Li Zehou's "Modern Tian-ren-he-yi" Theory

Li zehou put forward an important theory of Modern Tian-renhe-yi,since his middle and later periods of thoughts.This theory al most covers all important concepts from his Anthropological history ontology philosophy system,therefore,it becomes a very important d imension for our research.We discuss this theory's three aspects:for m,connotation,modernation,and then make a brief evaluation.The first chapter discusses this theory's form and it's basic framework.Firstly,I make a sketch for the tradtional Tian-ren-he-yi theory.Secondly,I will point out it's culture logic and it's structure of aesthetics.Finally,Iwill explore the connotation of two important notions about Marxian Praktik and Kant's subjectivity,and expound the relation of these notions mean and tradtional Tian-ren-he-yi theory in theory structure and in inherent spirit.Based on above discuss,i explored the three key theoretical link:what is the philosophical basis of aesthetics,what is the aesthetics development and extension in this philosophy basis' s and what is the flyback from aesthetics to philosophy.The second and third is the main chapter.The second makes a comprehensive investigation and exploration the esthetics content of Modern Tian-ren-he-yi theory.According to three theoretical link above,analysis and indicate this theory's esthetics content of “the humanization of nature”and “the naturalization of humankind”shown from “tool noumenon” to “mentality ontology”includes the relation of Practice and sedimentary deposits.Meanwhile,this part of paper will perfer to the relation about “du's”aesthesic view of the ontological thinking mode of chinese-style and modern“Tian-ren-he-yi” theory.Thus reveals this thoery's aesthetics connotation that includes origin—reality—future by Lizehou.The third charpter mainly probe into modern“Tian-ren-he-yi” theory's modernity from multiple ontologies,and perfer to these ontologies shown unique modernity connotation.Through lead in “the difference of Ontology”view indicates modern“Tian-ren-he-yi” theory has its specific modernity connotation.That is to say,this theory has two kinds of modernity connotation's transition that is from aesthesic didacticism modernity to didactic aesthesic modernity;According to discuss above,prove modern“Tian-ren-he-yi” theory can promote chinese aesthesics development and it can confront western “modernism” and “postmodernism”theories.The last part of paper thinks modern“Tian-ren-he-yi” theory is a whole theoretical discourse and can solidify foundation of early practical aesthetics,but the more important thing is it can convert practice into sedimentary and can limit to the historical standard,the group standard,the rational standard that makes it rationalization,with it,makes practice aesthetics get appropriate peculiarity about “subjectality”or “humanity”.So these new peculiarity makes Anthropological ontology aesthetics becomes real personal philosophy.But this theory are also so idealization that it put “the humanization of nature”and “the naturalization of humankind” as regard as this kind of history that include uniform of objective and means.Thus this theory overlook modern tool noumenon's huge,irreversible dangerous.That makes “du”ontology can't be the responsible for it.