Analysis And Though Of Piano Accompaniment In The Minor Mode Of Hunan Flower Drum

In recent years,in the practice of the national vocal music teaching in China,opera vocal music teaching has gradually become an important part.It is not only an internal requirement for the continuous development and constant renewal of the national vocal music business in the past 100 years,but also an important path for the inheritance,protection,and development of traditional music culture under the contemporary “intangible” context.From the perspective of professional teaching of piano accompaniment and vocal music,with the enrichment of teaching content and the expansion of the horizon of teaching,and focusing on the macroscopical approach of “how to use vocal music teaching and integrate vocal music performance”,the point of adding traditional vocal music teaching methods to national vocal music teaching is to address the difference in accompaniment sound form between traditional opera sound performances and modern national vocal performances.It is to convert single-level and linear horizontal structures of concerto accompaniment forms into multi-level and harmonically crisscrossed vocal works.This requires the piano accompanist have a strong ability to analyze the form of music,the ability to arrange music and the ability to grasp the overall style of the music.This study takes the tunes of the traditional Hunan Flower Drum Opera as a researching object and the opera Xi cai xin which is composed by Hu Tingjiang and represents the Hunan Flower Drum Opera as an example.After detailed morphological analysis and style interpretation,we deeply understand when the tunes of the opera are transforming if the music is national vocalized and how we should compose piano accompaniment that accords with its artistic characteristics on the basis of maintaining the characteristics of the traditional operatic vocal sensation.Based on above said,we further discuss the practical composition of piano accompaniment of national vocalization in Hunan Flower Drum opera.Therefore,this paper will be divided into three main parts: In the first chapter,the author will briefly expound the historical development and artistic characteristics of Hunan Flower Drum Opera.Furthermore,in the second chapter,focusing on the vocalization of Chinese national vocal music of the opera “xi cai xin”,this paper conducts a detailed morphological analysis on the composition of the musical composition,melody features and accompaniment,and combs its basic characteristics.Finally,in the third chapter,the author will use the case study of “xi cai xin ” as an example to interpret the related practical principles and methods of operation in the piano accompaniment of Chinese national vocal music from the professional perspective of piano accompaniment as well as to apply these methods and principles in the composition of the traditional opera Liuhai Chopping firewood.It is hoped that this study can be a reference to the innovation and development of vocalization in traditional Hunan Flower Drum Opera.