The Study On Walter Piston's Three Pieces For Flute,Clarinet And Bassoon

Walter Piston is the professional field of music composer,educator,theorist of excellence.His music creation technique abstruse rich,creative life more than 70 important works,several Pulitzer prize and the American Music Critics Award;he has achieved remarkable achievements in teaching,served as director of the Department of Harvard University,years of training a large number of American music professionals;his " theory of hormony ","the study of orchestration " theory works has been regarded as a classic,Copland once: there is no doubt that he is one of the most professional American composer." Three Pieces for Flute Clarinet,and Bassoon " on the piston during the period in Paris,this work is acknowledged to be his first successful work,is the neoclassicism style of writing works on behalf of one representative of his early style.This paper from Piston's school experience,new technical approach,writing characteristics,aesthetics and other aspects of care as the starting point,the specific research turned Houstton's creation experiences,early technology,artificial formation scale,atonal tonality throughout in the works,pitch motion,the rhythm of movement patterns,in the view of historical status,aesthetic tendency and so on,to the art of music ontology analysis and social analysis of music connotation as the foothold,the important works of Piston neoclassicism perspective,a reduction of neo classical music style of history from the Perspective of the real Walter Piston.