A Study Of Musical Terminology's Impression In Debussy's D Minor Cello Sonata

Musical terminology,as an informative textual symbol,is a kind of highly specialized vocabulary group.It directly reflects the composer's intention of creation,which is one of the important reference points for the performer in the performance process.Music terminology has certain characteristics of the times and styles.In a sense,terminology is the “second language” of a work,because composers often “borrow” when notes “cannot be achieved”.A symbol to supplement its creative intentions.Therefore,as a performer,in the process of performance and singing,such suggestive symbols must be “clarified and understood” in order to accurately reproduce the works.The reality is often that these music terms are ignored,or they only stay in the least knowledge and lack of in-depth exploration.In this paper,Impressionist composer Debussy's “Cello Sonata in d minor” is the object of study.After classifying his rich musical terminology,he studies the abstract impression of the composer's “impression” from the overall impression of terminology to guide performance.Who can accurately grasp and interpret Debussy's musical works.As an extension study,this article also clarifies the origin of music terms,language classification,attributes and rheology.