The Study Of Maurice Blanchot Death Aesthetic Thought

In twentieth Century,the light of Sutter and Bart in France obscured a lot of alternative ideas.Blanchot existed as a self retreating thinker,like a brief introduction to his book,"Maurice Blanchot,novelist and critic,born in 1907." Blanchot believes that all philosophical discourse related to death in the history of western philosophy is actually the tampering of death,which simplifies death to the side of the subject,and the real death has never been thought of.The first part begins with Hagel's philosophy.Death is the motive force of dialectical negation,the cause of self consciousness,the beginning of spiritual life,and Blanchot affirms the rationality of Hagel's view of death in the history of the world.But he believes that this is only one aspect of death,that is,"possible death",that is,the death of power and ability as the main body.But there is another kind of death,which is the death of the body in which it loses its power.Blanchot called it "impossible death".This "impossible" death,Brown called "death",does not mean as a critical death,but a body of "I" face the loss of self,self lost its self-evident and identity,and become non self,no one,someone,or who? This is the situation of the death of the subject.For Blanchot,the death of the subject is more powerful than death,and the death of the subject opens the locked "prison of self",pointing to the wider space "outside".The second part is that in the context of the modern philosophy of suicide,death is included within the scope of the rights of the subject,especially as an extreme form of suicide,which is the ultimate expansion of this subjective concept of death.Blanchot realized the deconstruction of suicide by analyzing the two paradoxes of suicide,and also made the subjective view of death face difficulties.The third part is in death and literature,Blanchot interlocutor is Heidegger.Blanchot devoted his life to Literature and to the silence of literature.Through the analysis of the representative works of the literary space,the author reveals how the author interprets the existence of the silence that can not be ignored in a different perspective through a philosophical perspective on literature and writing.This part is mainly from the death space of writing and the alienation between the writer and the works(the death of the subject)to explain how the death thought of the literary space infiltrated into the writing thought,and the writing must first enter the mysterious death space outside,where the writer is not a writer,but is dominated by a mysterious external force.It is absolutely internal,external and internal are actually overlapped.Works are just products that writers access to this space.Through the careful reading of the Blanchot text,we can not see what Blanchot is affirming,praising,or criticizing.His attitude towards the work is never clearly shown in the text,but only with a possible literary tentacle to pay attention to the works and explain it.