Study On Aesthetic Spirit Of Traditional Auspicious Patterns In Liupan Mountain

LiuPanShan auspicious patterns as a schematization of local folk art form,is the history of public life and enrichment,it is lucky design elements of China,is also an important part of the auspicious culture and art.LiuPanShan auspicious patterns are mainly concentrated in the paper-cut,embroidery,wood carving,clay sculpture,stone carving,etc.,in this paper,the liupan mountain traditional auspicious patterns as the research object,from the design,the symbol of harmony,integration of the three main aspects liupan mountain aesthetic spirit of traditional auspicious patterns.The logical order of the writing is: what is the aesthetic spirit of the traditional auspicious patterns of the six panshan mountains?This paper analyzes the three aspects of its aesthetic spirit,and finally discusses,proves,answers and solves the aesthetic mental problems of liupanshan auspicious patterns.This paper,through investigation and research,knows about auspicious patterns,and analyzes various aspects of the aesthetic spirit of auspicious patterns in the region.First of all,from the perspective of literary chemistry and Chinese classical philosophy,this paper analyzes the cultural implication,the imagery and the spirit of the six dishes embodied in the symbolic spirit of the traditional auspicious patterns in the region.Secondly,from the perspective of aesthetic psychology and Chinese classical philosophy,the article analyzes the spirit of the harmonious spirit of the traditional auspicious patterns in the six panes,and the spirit of the unreal and the humble nature.In the end,the fusion of the aesthetic form,fusion and fusion of traditional auspicious patterns in the six panes is studied.Main ideas and innovations:After refer to all kinds of documents and materials,found no aesthetic spirit in liupan mountain traditional auspicious patterns of issues related to research,so this article take the liupan mountain traditional auspicious patterns of aesthetic spirit as the research object,through to the traditional auspicious patterns in this area from several aspects of aesthetic spirit of discourse analysis,as well as for existing folk artists interview data collection,using the study of design combined with the theory of aesthetic spirit,the method of field research method such as a system of liupan mountain traditional auspicious patterns,make up for the research content of liupan mountain traditional auspicious patterns of aesthetic spirit of a vacancy,from on macroscopic comprehensive liupan mountain was studied systematically illustrated in the form of traditional auspicious patterns of aesthetic spirit,this is the innovation of this article.