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The Interest Of Cursive In Chinese Landscape Oil Painting

Posted on:2019-01-01Degree:MasterType:Thesis
Country:ChinaCandidate:L ZhangFull Text:PDF
GTID:2405330566999109Subject:Art
Abstract/Summary:PDF Full Text Request
Throughout the history of Chinese painting,oil painting techniques from the west to China has a history of nearly a century,Chinese oil painting techniques are used to describe Chinese culture significance of art also nearly a century,generations of Chinese painters paid a hard sweat,hard on the painting language experiment to explore,create elegantly works by the Chinese culture.There is no lack of among them there are many department in China's traditional culture painter,they combined with absorption of Chinese traditional culture,the depth of the spirit to strengthen their own painting language and highlights the local cultural features,including use of calligraphy inherent spirit and approach to the painter.Chinese traditional culture Taoism and Confucianism have exerted a great influence on calligraphy,and these thoughts have led to the development of calligraphy as a unique form of art in the world.Taoist philosophy of "nature" theory also profound influence on Chinese oil painters,Taoist thought Chinese characters originated from the nature,then nature of all things also have the profound influence of the Chinese calligraphy many calligrapher calligraphy art of the United States are cited many phenomena in nature.In the art of calligraphy,the dialectical unity of dialectical relationship can be seen everywhere.Moreover,the highest standard of external form is the pursuit of peaceful and implicit artistic realm,and the whole aesthetic system of calligraphy embodies the essence of traditional Chinese philosophy.And the ancient Chinese people is genetic and inherited the genes behind calligraphy writing through the analysis of the research interest of spirit,to discuss our current oil painting creation,and better use in our oil painting creation,is the main purpose of this article.This paper focuses on the theoretical research methods,by collecting and sorting out the existing academic research materials,and understanding the existing research status and research significance.On the existing basis,to explore the kernel spirit behind the calligraphy,cursive writing on Chinese contemporary landscape painting in the context of the analogy,in Chinese modern and contemporary painter works analysis as the main line,through the analysis of the painter's works,to extract the spirit behind his work.In calligraphy written language as the example,to spy out and look for the present the spirit of the connotation in Chinese landscape painting landscape,in writing,words in calligraphy method,composition as reference,analyzes China's oil painting in the painting,is the history of Chinese society and Chinese traditional culture in the background to research,the contrast of calligraphy written language on oil painting techniques of knowledge,aesthetics and similarities and differences and similarities in rendering technique.This paper attempts to discuss the form and expression of Chinese painting from the elements of Chinese calligraphy,calligraphy and art.With calligraphy interest to landscape paintings,analogy is based on the local context,as with the Chinese of the Chinese cultural heritage,its flow the blood of Chinese civilization,the inheritance of traditional culture to our young generation pay more efforts.In the process of painting and casual reveal our aesthetic taste,so the contemporary Chinese landscape painting with cursive script and headed by Wu guanzhong as an example,the paper explains the aesthetic taste of the similarity between.To prove the great vitality of Chinese calligraphy.
Keywords/Search Tags:landscape painting, calligraphy, spiritual connotation, writing language, integration
PDF Full Text Request
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