The Study Of Li Qiang’s Film Screenwriting Art

Li Qiang is one of the most influential and representative screenwriters in the contemporary Chinese film scene.His film plays have a strong personal style and express his philosophical thinking and humanistic pursuit.From 2003 Li Qiang publicly published five film literary screenplays,published by Beijing Union Press.According to the publication order,they were “Peacock” and “Spring”,“We will eventually die.Youth "Aunt’s Postmodern Life" "Golden Age".Li Qiang’s film literary play has been more effectively disseminated,fulfilling his literary ideals,and at the same time providing a model for research and learning for current film plays.These five movies are rich in literature and art,and they are all excellent works.Each of them has attracted extensive attention and discussion in the industry and academic circles.It is extremely necessary for the analysis and research of its literary scripts.The thesis mainly focuses on these four aspects to analyze and study Li Qiang’s film literary works:The first part analyzes the character image.Li Qiang’s film plays often use female characters as the leading role and women’s perspectives to describe women’s lives.Apart from the analysis and analysis of female images,this chapter also analyzes the male images in Li Qiang’s plays.In the second part,the theme kernel research of Li Qiang’s plays.Li Qiang’s scripture surface is chilly and passionate,the surface is bleak and the heart is controversial,the surface is perplexed and the foundation is firm and persistent.His script is full of grief and deliberation on the living conditions of human beings,and there is no lack of courage and detachment to face life.Style is the person,this chapter uses Li Qiang’s own life experience as an entry point to interpret the core of his script.The third part summarizes and summarizes the narrative art and techniques used in the creation of Li Qiang’s movie plays.Li Qiang’s works are calm and neutral,and he chooses materials for daily life,which brings a tremendous amount of energy directly to the hearts of the audience.All this is inseparable from the unique script narrative art he has.In the fourth part,the style features of Li Qiang’s film plays.The personal tendency of Li Qiang’s works is very clear,with clear identification,and always maintains his independent strength.Researching Li Qiang’s literary play and summarizing Li Qiang’s creative experience is an important way to understand the artistic value of Li Qiang’s literary script.It is also a reflection of the industry itself from the perspective of the screenwriter and a reference to the better development of the future.